10 Cloverfield Lane (2016)

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A surprise film of this year, for when the trailer was unexpectedly dropped, I and I could imagine, many other people were taken aback by this secret project. Gladly the trails spoil nothing and therefore make this thriller even more special. It’s a fantastically dark exploration of confinement for a 12A rating and monster movie fans of the first film still get their kicks.

Clothes designer Michelle (Mary Elizabeth Winstead) ends up in an accident and then finds herself in a fully equipped fallout bunker. She’s looked after and/or terrorised by Howard (John Goodman) who has also brought in Emmett (John Gallagher, Jr.) in hope that the three of them can avoid his fears of the contaminated world outside.

I really don’t want to go any further than that for what happens as knowing little makes the movie a much more engaging mysterious experience. Clearly there’s some predictions to be placed at it comes in the same universe as ‘Cloverfield’ from 2008, so you will be seeing monsters but the fantastic quality about this spiritual tangent to the original handy-cam film is that it’s so different in tone and look.

Dan Trachtenberg directs with a knowing craft of the thriller genre and truly gives this movie an unnerving build-up. The constant close-ups add weight to the claustrophobic location, the little flourishes of Howard’s décor in the bunker add character and unease to what may happen. Things that go wrong never become tiresome but do their part in racking up the sweats as you hope Michelle can find her way out of the problem. As a director he shows how a monster movie can be more subdued and with a mostly 3 cast line up, this gives hope to a new future in dramatic storytelling.

From producer J.J Abrams we get that gnawing sense of trouble because of what we know from the ’08 movie. Though the monster moments in this are thrilling and work for the growing female power of Michelle, I must say I preferred all the elements of everything that came before. The music, the set, the conversations and comic moments from guessing games that tingle with sinister connotations to strained bondings, everything feels deeper and full of fear.

This is no ‘Unbreakable Kimmy Schmidt’ bunk up, the film is effortlessly tense and darker than you may think it could be. Of course I won’t say what happens but lots of wonderfully scripted sequences flash out of the gates, rattling you back into your seats and making you stumble to catch your breath. You, if you like the film that is, do root for Michelle as the lead and in a way, you buy into the other characters as well, whether they’re bad or good, you can believe their goals.

Mary Elizabeth Winstead is a brilliant final girl in films we’ve seen before and she comes along with aspects of that stereotype but is a much stronger and smarter heroine which is great to watch. Her designer background plays a part and her wiles keep her going all the way through, impeccably delivered by a capable actress. John Goodman is monstrously magnificent from start to finish, he plays both sides of the field so well that you don’t ever know for sure until near the end what kind of guy he is. John Gallagher, Jr. plays the guy in the middle really well, more than just a spare part, his presence gets put in the spotlight and he gives a needed comic lightness to one of the characters embroiled in the bunker. The trio bounce off each other superbly.

For any ‘Cloverfield’ fans or lovers of neatly packaged thrillers then I recommend you to get straight out and witness this slick and suspenseful feature. You’re always guessing, always worrying and always always enjoying the well directed and acted moments that come flying round the corner.

8/10

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