This 62 minute animation from the weirdly artistic and absurd Don Hertzfeldt is funny, philosophical and unsettling. The notions of life and the crippling fear of losing it is dealt with in a comedic yet dark way that worms into you as you watch.
There are 3 chapters to this movie as Hertzfeldt created three separate shorts before combining them all. The first segment titled ‘Everything Will Be OK’ focuses on stick-man Bill and his medical condition. The second chapter, ‘I Am So Proud of You’ sees more of Bill’s past and his Grandma too. Then ‘It’s Such a Beautiful Day’ wraps up things with Bill in hospital and coming to realise death could be taking him soon.
It’s a great hour-ish feature that involves us with a stick character, more amazingly it manages to get inside our heads about Bill losing his. Bill’s mind is getting frayed and he’s clearly losing it but he’s still engaging and as we see him do things, the film speaks out in a personal way. The grand scare of forgetting everything and moving on is dealt with a blackly comic manner but has droppings of revelations and visionary splendour.
It isn’t just stick creations and black and white, there are real life backgrounds that enhance the story. Trees or skies or cities fill the screen adding a quirky edge to the wobbly drawn lines of Bill and his world. Flashes of colour also speak volumes in actually being alarming and akin to the mental state of Bill. This narrative and the squawks of reds and oranges burst out like the disturbing nature of the ‘Don’t Hug Me, I’m Scared’ videos. Bill’s life is animated at such an absurdist level that shows off the affecting thoughts life can throw up.
Hertzfeldt writes and directs and well pretty much does everything for this film. The story is great for the most part. There’s brilliantly tossed in lines about persecuting Jews, train deaths or inconvenient caskets and general quick fire comments that are random but poignant. The dark humour tag couldn’t be more right for this film, it steps into the same shady landscape of ‘Salad Fingers’ and his unsettling tone. From ex-girlfriends, literal fish heads and a tennis shoe filled with leaves, this movie paints a uniquely twisted look on heartbreak, family, life and death.
Musically this film is backed by many classical composers that do magic in making everything seem grander and more profound. The droll humour of the nonchalant narration adds another grit of sound to the collection of used car noises or screeches in the more nightmarish moments. It’s as if the voice leading the story forward is unbothered but charismatic enough to make the words stick.
If you’ve always been interested in films with a difference than this animated spin on memory, melancholia, loss and life in between should be right up your hand-drawn street. If not then check out the weirdest Simpsons couch gag by Hertzfeldt called ‘Clown in the Dumps’ to see what kind of absurd visuals I’m on about.