Haywire (2012)

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This thriller/action movie had me annoyingly disengaged for the majority of the run time. There is a genuine admiration to be had for the stunt work and actual fighting style used by MMA fighter Gina Carano, but apart from that I feel this was nowhere near as exciting or special as it could have been.

Mallory Kane (Gina Carano) is a former Marine and after retrieving a hostage in Barcelona she gets an assignment to Dublin from director Kenneth (Ewan McGregor). There she meets up with MI6 agent Paul (Michael Fassbender) and after a shady night she realises she’s being wrapped up into a conspiracy.

It’s a film that feels like it has so much potential, from the talents of director Steven Soderbergh to the impressive acting list including Michael Douglas, Antonio Banderas and Bill Paxton, there’s the action grittiness that usually works so well and a story about embroilment and pointing the finger but it only comes across as…average.

It would be hard not to compare this film to the Paul Greengrass splendour of the Bourne 2 and 3. This one appears like a female version of Jason Bourne but sadly is never quite as impacting or interesting. The action is alright but the attempts at the murky world of intelligence shrouding a person in blame and mystery doesn’t ignite in the same way as the JB trilogy.

Soderbergh does a neat job in utilising blends of fast paced shots with black and white moments, he gives each new location a suitable amount of breathing time and he ensures that the focus sticks with capable Mallory, but it never felt like he was breaking out of the action thriller formula and aside from him doing well in casting an actual subject for his lead and giving the movie some sleekness, this for me felt like a blah picture.

I do commend the way we see Carano kick ass and flip off walls, the brutal elements as she takes down a succession of men is cool to see but it nearly gets blinded by the stupid choice to have Mallory and Aaron just kiss, the awful deer in car moment and a drained sense of colour and blur to most of the movie. Even David Holmes’ music at most points sounds like it comes from a 60s/70s TV show and doesn’t feel right.

There’s a neat ending which feels very right and helps the film…but it’s at the ending. I don’t know, you just never feel tense or you don’t get nervous for the main character because she just gets seen as a strong fighter and nothing else. Everything is almost to easy for her, I feel from the other reviews I’ve seen of this feature that I’m firmly on my lonesome in having this viewpoint on the film but I didn’t really like it.

 

Gina Carano isn’t much of an actress but she more than makes up for it with her display of real hand to hand combat. There’s a cold tenacity in her eye, a furious touch to her look that helps Mallory feel driven. Michael Fassbender is brooding, handsome and dangerous as Paul. Ewan McGregor doesn’t get to do much outside of the typical director cliche mould, his motive transparent and Michael Douglas also fails to get much to do to pique the interest.

I admit there’s a cool level of muscle and style to this action number, but the pace, music and been there done that plot made me switch off multiple times.

4.5/10

 

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