Nicely brimming with anxiety, this science fiction apocalyptic-like drama is further helped by the performances and an interesting magnifying glass placed over strained bonds.
Farmer and apparent last human Ann Burden (Margot Robbie) has got used to her routine until one day she sees another person walking along in a radiation suit. After helping him out of a life endangering bathe, John Loomis (Chiwetel Ejiofor) is invited back to the farm where they live together and a possible relationship grows until Caleb (Chris Pine) turns up and puts a tense spin on the dynamics.
What I liked about this film quite a lot is the grounded feel, it certainly inhabits a small scale of a bigger more devastated world and within this there’s a great focused intensity on character that is ripe for theatre set drama. To be honest, a lot of the story involved feels and sounds like something that would work extremely well on stage, just the 3 actors for a start gives it that impression.
Craig Zobel directs rather well, he makes sure that the story keeps ticking but all the while there’s burning moments of danger, these anxious steps speak volumes about the rivalry between the two men and the possible consequences that could arise. The parallel between Loomis on a teetering rock and Burden slowly shoving a glass of her table is a great moment of no dialogue but a lot is said, making you wonder what happens to Loomis during that point, this perfect touch of mystery also occurs in a better way surrounding Caleb.
The relationships between the 3 people are written strongly, each of the men are worrying figures that come into the innocent, religious life of Ann, and though Loomis may be kind at first he is not without flaws and his jealousy runs rife leading to the dramas that follow. It this trio of deconstructing human behaviour that becomes compelling, at least for me it did.
Margot Robbie provides a beautiful performance, lost by the welcoming of these new figures but still trying to be strong for her father, her faith and herself. She looks surprisingly plain which is something for Robbie and you feel sorry for her. Ejiofor can dominate the screen nicely and brings a brooding sense of unease during his jealous spells. Likewise Chris Pine, in his more Hollywood poster boy appearance, he plays arrogant well in thinking he can swoop in on Ann.
If you have patience and can appreciate slow burning character dramas, then this is a film I’d recommend. It has a fantastic cast, a quite alarming end and a great look on a world with and without hope.