Batman’s….sorry, Ben Affleck’s directorial debut from nearly 10 years ago now, is a fantastically textured noir mystery. The crime and subsequent drama that follows a media centred case is impressive and raises a big social or perhaps an ethical question.
4 year old Amanda has gone missing and though the Boston police are following leads, the girl’s aunt goes to private investigator Patrick (Casey Affleck) and his work/romantic partner Angie (Michelle Monaghan) to help the search. Police captain Jack Doyle (Morgan Freeman) ensure the pair are helped/followed by two other detectives from his force as the mystery of Amanda grows more worrying.
Comparisons aren’t always the best or fairest way in reviewing circles but I must say that I found this film much better shot and handled than ‘The Town’. Affleck gives this Boston set drama a great gritty local feel, highlighting the tough working class side of the city. The entire feature is put across in a slow burning way, but not in a yawn inducing manner, it fits the build up of suspicion and what Patrick will do.
Affleck also shares writing duties with Aaron Stockard, together they create a powerful visual to a story by Dennis Lehane. It’s a hard watch at times, never rough or unflinching, just a film that doesn’t shy away from the immoralities of people and what we do in the name of right and wrong. The final dilemma is scripted so well that you do internally debate what choice you might make, I’d say that Patrick does make the right one though.
Casey Affleck must thank his big brother because his role is interesting and gives the fantastic actor plenty to do as he tries reaching the end goal of promising Amanda’s mother the safe return of her daughter. Morgan Freeman as the captain is a good choice, his voice giving authority to the figurehead and gladly he comes back for one crucial scene that works very well. Monaghan isn’t just in the background, she’s bold and knows what should be done, the working relationship between her character and Affleck’s is a trapping one and feels believable. Ed Harris is loud, tenacious and convincing as Remy, an elder cop who has a big hand in this case. Amy Ryan is a standout, her turn as Helene, the drug abusing, unknowing and possibly uncaring mother is engrossing and disgusting. It’s a perfect two sided coin as we see her messy world but realise she has the parental right for Amanda.
There’s no massive crime in this crime drama, it’s executed fantastically with Casey Affleck and Amy Ryan providing excellent performances. Aside from a minor niggle here or there this is a film that looks and sounds on the money.