Robert Zemeckis, Brad Pitt and even Marion Cotillard cannot save this film from falling short of the romantic sweeping wartime drama it aspires to be. There’s good performances and a vague sense of spy-like apprehension but on the whole this feels like a bland affair and you’d wish for more gusto.
After teaming up in Casablanca and working on an assassination, Max (Brad Pitt) and Marianne Beausejour (Marion Cotillard) fall for each other and marry in London. It’s only once settling down and keeping out of the war action that Max learns his love may not be who she says she is, throwing him back into action as he tries to find the truth.
Robert Zemeckis is and will always be a director with great films and fun visionary ideas to his name, his collection of movies spanning genres but with his latest outgoings espicially it seems that he’s foregoing interest of story for the shiny spectacle of how it looks. As in ‘The Walk’, any trepidation or unnerving sense of doom was lost because everything felt like a Chaplin adventure with extra sheen. This new release has a similar gloss that even makes the Blitz over London look like a page from a magazine.
It’s this way of heightening the scenery and not the story that lost me and took me right out of what could have been a grittier more engaging wartime drama. It’s like he tried stepping into the Hollywood glitz of ‘Casablanca’ but too hard and therefore it suffers. Steven Knight also comes under my general fire because his writing of the plot is lagging and no true suspense is offered, even some exchanges of dialogue sound forced or dumb earlier on in the film as they chat over tables in French Morocco.
There may be a slightly unexpected end and everything is shot or framed greatly but aside from this, some mildly memorable music and Cotillard trying to sustain the movie, everything begins cracking. Even the so-called hot chemistry between Pitt and Cotillard fizzles without trace, I never felt amazingly connected by their connection. Just in general I didn’t ever become interested or connected to the movie which is a shame considering the story and talent involved.
Everything just felt lacking and leads to a movie that from start to finish is empty of any gripping emotion or dramatic tension and toil. It’s a typical WW2 bait film throwing back to the Hollywoodland heyday that I almost wished I could throwback out of my memory.