It’s the 53rd animated release from those Disney titans and this time we get a great new world and culture, a head-strong non princess type princess and that same old pleasurable House of Mouse fun for all the family.
On the island of Motunui, lives Moana (Auli’i Cravalho) who is the chief’s daughter. She dreams of what lies beyond the reef and wishes to explore the ocean. She finally gets her chance when a blight hits her home and a tale of ancestors and thievery drives her to find Maui (Dwayne Johnson), a demi-god and have him deliver a powerful stone back to its rightful place.
What is most enjoyable about this feature is the dimensions of character and the interesting Polynesian backdrop. The beautiful world we get to inhabit for an hour and 40 minutes is new and feels rich. It certainly helps that the creators make Moana a character with lots to do, say and she isn’t at all two-dimensional. The island villagers and the culture looks impressive and it’s this different setting and tone that gladly takes us away from the usual Disney saccharin vibes.
The music again is stepped up, like the Mickey Mouse maestros know to keep one step ahead when conjuring up the sound of their movies. Here they employ the help of Hamilton acclaimed Lin-Manuel Miranda who writes the songs with Opetaia Foa’i. There’s such a delicious texture to the songs, echoing with a sound that feels perfect for the setting. An Innocent Warrior raises hairs and sounds amazing in the cinema over the scenery. Where You Are is a jovial and tropical start to the introduction of the sunny island. How Far I’ll Go is the clear front-runner for Academy attention and is gorgeous to listen to. The less said about Shiny the better.
Ron Clements and John Musker are together again and this is their first CGI Disney film. They direct a stunning film about myth, mischief and might. They utilise a brilliant team of animators who have created a lush world to truly marvel at, not only is there the 3D styling, we get a fabric felt looking portion of animation during a song and the tattoo 2D moments featured on the torso of Maui.
I only have one big problem with the film and that is the story structure. The opening is exciting and the latter part is engaging, slightly dark and filled with eventual obvious hope and happiness. Annoyingly a large section of the middle is slow and drifts like Moana’s canoe into the land of boredom. As we settle in with Moana and Maui it’s like the plot sags into an attempt at a road-trip discovery without any of the perky coming of age drama. Also the chicken is not only the dumbest character in Disney history but the most pointless, the pig is severely underused and that makes me sad.
Overlooking the typical fairly tedious journey of ‘finding yourself’ that Disney love, this is a refreshing animated turn with a great soundtrack, a confident and interesting female protagonist and some stunning scenes that will delight many of varying ages.