Hurrah, I have finally got around to seeing this film and by golly it didn’t disappoint after a near 8 month wait. The technical achievement itself is enough to love the movie but then you get an engaging story and deep performances to solidify this as a brilliant complex drama.
Leaving a club in Berlin is Victoria (Laia Costa) who winds up cycling home with a group of loud and rule-breaking men. There’s an immediate connection between her and Sonne (Frederick Lau) and a fun escapade onto an apartment roof furthers her unique night. However, Victoria ends up spending her time in a much more dangerous manner than she could expect as Sonne and his mates need to do something for a man named Andi.
Just having the idea of a continuous shot for an entire movie is brave but then to not only carry it out but do it very well is an astonishing feat. The one take movement of the movie certainly does a lot to help you step into the world of the film and become a voyeuristic character as the plot unfolds.
Sebastian Schipper directs with a confident touch, the way he commands for scenes to stay still and the camera rest as dialogue spills out are great moments to sit back, honestly after watching the whole thing it feels like you’ve been on a night out because you get so wrapped up in the story and Schipper ensures that the careful placements and movements of the camera aids this interesting immersive story. Obviously Sturla Brandth Grovlen deserves a continuous standing ovation for his stunning work on the continuous take.
Also, the lighting is incredible, whether strobe pulses in the club or natural lampposts at night, the wash of blues and yellows over a majority of scenes gives this film an impressive look that works over the gradually growing grittiness of the thriller narrative. The music too is well selected, drowning out diegetic sounds with a piano melody that raises chills and also connects nicely to the instrumental talents of Victoria.
I thoroughly enjoyed this movie and felt like I was there every step of the way. The one-take is masterful and it’s just so good that the writing of the story matched the clever way of telling it. My heart was sat in my mouth at one moment as Victoria tries starting a car, an empty car park filled with weapon wielding men is a kick-starter of tension and a soft lighted scene in a cafe is actually very romantic, cute and believably funny between a pair suddenly attracted to one another.
Laia Costa is a perfect vehicle to lead us around the unwinding plot. She delivers a wonderfully infectious smile but counter balances her energetic nature with a raw emotion that overflows with tears as she gets caught up in the world of Sonne and the others. Frederick Lau is so great, the way he tos and fros trying to be confident and then having nervous stalls in his mannerisms or speech is wonderful and together with Costa they run with the story like a new Bonnie and Clyde.
The one-take execution is phenomenal but you do forget that and become one with a detailed and impacting drama thriller which grips you by the collar and won’t shake you loose until the camera finally cuts to black.