Justice League (2017)

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They’re finally united after what feels like a well earned age…hang on a sec…nope…just over one year later. DC and it’s universe has the League team up big style and through some horrendous and expected barrage of CGI and more weak story I can surprisingly say it’s not a bad film. It’s not good…but not bad either.

With the world mourning the passing of Superman (Henry Cavill), Bruce Wayne (Ben Affleck) is trying to piece together a mystery. He hopes to bring a team together and with the help of Wonder Woman (Gal Gadot), they manage to create a league for justice with The Flash (Ezra Miller), Aquaman (Jason Momoa) and Cyborg (Ray Fisher) to try and stop the havoc of an alien army leader.

In comparison to ‘Dawn of Justice’; this movie is fantastic but then that’s not exactly saying much because 2016’s setting up of the League was incredibly dull and dire. One of the main issues in this DCEU outing is the dialogue. In some places the writing by Joss Whedon and Chris Terrio is clunky and overly on the nose. They try to mix in lighter moments and you can tell former Marvel hand Whedon is behind this, but with the odd balance of gruff moodiness in the DC films with the quips, it just doesn’t quite work.

It isn’t solely the dialogue aspect, it’s within the story itself where there are next to zero stakes raised. There’s no gripping factor of worry to be had watching these characters do battle. Everyone in the league becomes so right for the fight they’re partaking in, that at no point did I feel that anyone would ever lose. It just becomes painfully convenient how characters fare to tackle the obstacles. The plot shuffles along from one moment to another as is the case with Zack Snyder films and it doesn’t sink in to really let tensions rise. Threat levels are at an all time low even though apparently it warrants Bruce needing to call a super-powered team together, the dispensing of villains throughout always seemed on the cards and more than anything, every way out was achieved in an easy manner.

The scene on Themyscira was one of the stand out moments and a couple of cool sequences can be found seeing The Flash with his electrically charged bursts, they’re entertaining but not as neatly executed as Quicksilver’s similarly slowed down scenes. Wonder Woman is my MVP and even though Snyder’s direction and the different writers thin her out and set her up for more male gaze than her standalone feature, she carries a great charisma and believable care for justice in this movie.

Amongst some slight hits and clear misses, this film and the DC franchise as whole seems obsessed in CGI. That’s not always a problem if handled correctly but they always go overboard and this movie has an abundance of chaotic computer generated imagery taking precedence. It looks OK in places but on the whole it’s cheap looking and everywhere, including the less than believable wonky face of Steppenwolf. Also battles are back lit like a Michael Bay special with excessive explosions and slow motion.

Affleck is alright again in his turn as the bulkier and moodier caped crusader. Gadot as mentioned brings a needed charm and likeability to the action and her guitar riffing moments of bad-assery are as cool as ever. Cavill does show up, I’m not calling that a spoiler because obviously he’d be there and he’s less boring than usual and in fact is the most interesting part of the film behind Gadot. Miller is clearly set up by the writers as the comedic relief and he delivers the majority in a convincing and funny way but it doesn’t always hit the mark. Momoa seems shady but two dimensional as the protector of the seas even if the CGI water worlds looked awful, hopefully his feature will look visually stunning unlike here. Fisher as the enhancing Cyborg is the Ultron of the pack just handily updating when the script calls for it. J.K. Simmons is hardly involved which could be a blessing. Amy Adams is in it more than I expected and gladly brings a human touch to the events even if she takes a back seat as the continuously boring Lois Lane.

There a mass of flaws within the ‘Justice League’ but saying this, I actually think it’s an entertaining film and enjoyable in a number of places. I also like, perhaps their self retaliation against #MarthaGate by having Motherboxes, as if alluding to that atrocious moment before.

5/10

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Train to Busan (2016)

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One of the most exhilarating films I’ve ever seen, bloody and yet beautiful, this is a zombie film with thrills and skills that I wish I’d got to see on the big screen but damn am I happy I’ve seen it anyway…finally!

As a mysterious virus breaks out, workaholic and not so parental father Seok-woo (Gong Yoo) concedes to his daughters birthday wish to go to Busan to see her mother. A host of other passengers board at Seoul but unfortunately an infected woman also joins them leaving their train journey to become a fight for survival.

Honestly, this is probably the best zombie movie I’ve seen in a long time, the rage like virus shoots up the film with a crazed adrenaline which is hugely entertaining to watch but more than this and thus why the film is so good, is that there’s a heartfelt emotion and believable set of characters along for the ride too. Zombie killing and frantic running aside, this is something that grips you because of the relationships between the passengers, how they act and the choices they make create a truly thrilling and emotive story.

Yeon Sang-ho directs this with such care and attention, there’s a skill to making this chaotic zombie outbreak feel less than chaos. It has an artistry and skilled choreographed quality that ‘World War Z’ could only dream to achieve. There are numerous moments in this Park Joo-suk scripted delight that captures you and keeps you on the edge of your seat. It’s the rooted developing bond between father and daughter that is special and come the end of the movie leaves you really bound to the film almost teary eyed.

Jang Young-gyu’s music for the movie is a rip-roaring wonder, it’s a score that manages to excite and keep up great tension in places then simmer down for more nuanced moments of tenderness. The confined claustrophobia of setting a majority of this story on a train is shot really well, from shuttling tracking shots to scary overhead shots crammed with the white-eyed undead. Pretty much everything in this film is masterfully set up and executed leaving the audience to watch a dramatically non-stop zombie genre outing that actually feels realistic.

Gong Yoo is a great presence as this obsessive funds manager who gets a well realised character arc that makes him a likable guy. Ma Dong-seok plays a hench father to be that gives the film some aspect of humour and plenty of bad-assery. Kim Su-an is the little daughter Soo-an who gets many a chance to shine and demonstrate wonderful acting skills, more impressive considering she was 10 at the time of acting. Kim Eui-sung gifts the film its human villain, he performs convincingly that you want to punch him in the face.

The characters and the story are top notch stuff, making this a zombie feature like nothing else before. I’d highly recommend this to everyone; it’s tense, engaging and remarkable.

8.5/10

Thor: Ragnarok (2017)

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Number 17 in the MCU (Marvel Cinematic Universe) and after two vaguely entertaining but wildly average Thor outings, I wasn’t entirely driven to see this third Asgardian centred feature but upon seeing the trailer and learning of Taika Waititi’s involvement I swiftly changed my mind.

With this comic book movie, we find Thor (Chris Hemsworth) unsuccessful in his Infinity Stones quest and he returns to Asgard. Unluckily for him and the planets’ people, Odin (Anthony Hopkins) reveals that a power seeking goddess of death named Hela (Cate Blanchett) will arrive imminently to take over the throne of Asgard. Thor needs to stop her but first has to overcome imprisonment on a trash filled planet where green Avenger Hulk (Mark Ruffalo) now thrives.

The tone of this ‘Thor’ adventure is vastly different to the previous two, at times his riffing and the comedic style feels misplaced because the muscled God isn’t someone we’ve been used to seeing cracking wise. Yet the film overcomes this and becomes the funniest Marvel flick behind ‘Guardians of the Galaxy Vol. 1’. By now, I and I’d imagine plenty of others are growing tired of that MCU one liner shtick but ‘Thor 3’ is more than this, the humour is dry and unexpected.

Having Kiwi born Waititi on board was a stroke of genius. I love love both ‘Hunt for the Wilderpeople’ and ‘What We Do in the Shadows’ and that zany kind of style/comedy is evident once more. He also almost steals the show voicing a silicon/rock based creature called Korg. The dialogue he comes out with are brilliant. Waititi doesn’t just focus on making this film a fun fest though, in fact it comes with the usual CGI action but some dark moments too.

These darker notes are in the threat of the pristine marvellous Asgard, deaths of some characters and the possibility of a super powerful thunder god failing. They do just enough to balance out the wacky flavour running throughout; what with Jeff Goldblum’s stellar campy Grandmaster, the work-mate jokes of Hulk and Thor and the Loki/Thor relationship too.

Hela as a character may be one of the strongest villains yet, which is something the Marvel franchise have struggled to get right for pretty much every film. She’s powerful, dynamic and has a root to the Asgardian lore that gives her character motive enough to buy into her evil fuelled plans. In an almost Guardians way, this bright space set movie has plenty of out there characters and they team up to create a cosmic delight.

Musically speaking, this score screams of synth and ‘Stranger Things’ like sounds. It once again makes the whole space set vibe feel more prominent. On top of this there’s a fantastic use of a Led Zeppelin song that punches through the speakers with awesome power, accompanied by stunning slow motion visuals and graphic novel looking battle poses.

Chris Hemsworth is on point, adding more to his mythological based hero in the way of great comedy timing and yes he can still wield a hammer like a pro and punch monstrous swarms like the best of ’em. Tom Hiddleston inhabits the sneaky mischief maker like only he can once again, though I still feel like I’d rather he take a back seat in the Thor films. Cate Blanchett is a dominant presence, her spiky headdress accentuating her sharp features and cold stares. Karl Urban plays Skurge and gets some funny moments early on, but he has a path to go on and Urban portrays this journey well. Tessa Thompson is bad ass and holds her own against the might of Thor. She’s someone I look forward to seeing again in the MCU. Oh yeah, enjoy some sweet cameos in a Shakespearean-esque play on Asgard!

This stunningly out there film may not completely break the mould or formula for the Marvel world but it’s damn good fun, damn entertaining and packed with visual flair, comedic gold and enough action adventure to be a feast for the eyes.

8/10

Baby Driver (2017)

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4 years since the pub crawling finale to the Cornetto Trilogy, Edgar Wright returns with an adrenaline soaked beauty.

Wright is back with his signature stylish/comic aptitude and this time applies his directorial genius to a project with bigger action and bigger thrills. Atlanta becomes a playground for him as he shows off a satisfying masterful handle on the genre of heists, car chases and Bonnie and Clyde-esque dramatics.

Baby (Ansel Elgort) is a smooth, superstar getaway driver who’s tied to working for shady Doc (Kevin Spacey) who brings together differing personalities to carry out robberies. It happens that Baby is permanently listening to music winding up the likes of Bats (Jamie Foxx) and others but this trait of his is no weakness and also helps him strike up conversations with waitress Debora (Lily James) who could end up in danger the closer she gets to the mysterious music man.

Usually I leave the music chat til later on and focus in on plot and style, but this movie isn’t anything (or much of note) without the music it offers. The soundtrack is one of pure delight and boosts the movie an incredible amount of energy. The effortless car choreography is amped up further thanks to the loud and proud songs throughout. It’s no lie to say that every escape moment whether on foot or behind the wheel made me sit up and smile like a buffoon because they’re just so fun to watch with a finesse that’s hard to ignore.

That’s not to say that if the songs were wiped off then the movie would be terrible, it would just be mediocre and quite possibly forgettable. It’s the choice of the iPod playing such excellent music that this film is the stylish marvel it is. The editing too must be mentioned because it’s like every motion is clipped and fitted to coincide with the change of artists from T.Rex to Queen.

Detail is everything in Edgar Wright movies, he displayed that in ‘Scott Pilgrim vs. the World’ with comic book styling adding a zany and cartoonish look to almost every frame. This is the case again, for example, the opening credits feature Baby on route to fetch coffees and the song lyrics playing in his buds litter the backdrop from posters to graffiti in such a cool way. The look of the film is very retro America, from the locations and fashion. The characters are outlandish and cartoony but also provide a very real sense of threat when the movie needs to shift to the necessary air of tension and drama.

Strangely, amongst all the skids, sirens and shots fired in this killer feature, there is a sweetness to be found in the central relationship between Baby and Debora. It does admittedly feel left out sometimes and grows to a love before you know it but it softens up the film nicely and Lily James helps give a radiant glow amongst the sharper carnage of every other character. Hell, there’s sweetness to be found with Baby and his foster father.

The only teeny critiques I have with the film is there were a couple of times it lulled. The ending was perhaps twee and could have ended a slight nudge earlier and it is mostly the music that makes this film. It’s no five star baller but it’s so damn close.

Elgort is a tip toe away from arrogance that you don’t like him but there’s enough charm and intelligence to his character that you keep on his side. James as mentioned gives the movie a romantic and soft touch, the scene with her and Baby in a laundromat is another creative and stylish moment that stands out and sets up their connection nicely. Foxx is cool but clearly unhinged and provides the narrative its more tense moments. Spacey flits between good and bad and heck if you know what his motives are as only Spacey could in such a confident manner. Jon Hamm and Eiza Gonzalez are a perfect crazed Romeo and Juliet of weaponry and love. Everyone has a moment to shine with a script by Wright that is funny and fierce.

Go see this because it’s truly something you won’t be seeing anything like for the rest of the year. It’s a jacked up joy ride and one you’ll enjoy being in the backseat for. Hold on tight!

8.5/10

Kingsman: The Golden Circle (2017)

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Wow….oh dear oh dear. I have left this little blog of mine neglected for quite a long while. I’ve promised myself now, that with a change in my job patterns, I will get back into a writing rhythm again and that will start by returning to this site and reviewing movies as much as possible. So let’s roll right along with the recent release of the Kingsman sequel. You can find my thoughts of the 1st one here.

Just over 2 years ago Matthew Vaughn delivered cinema audiences a fast and fun action spy movie that was more a Bond film than the actual Bond films are. To say I was looking forward to this film would play down my anticipation but I didn’t want to fall into that ‘over-hype’ trap so I just let the film arrive without overplaying trailers or talking about it a lot. Even without the over-hype this film deserves no hype, it’s fizzled out in comparison and trying too hard.

Eggsy (Taron Egerton) is now living with the Swedish princess from, yes that scene at the end of the first film. After the Kingsman brand is hacked and attacked, Eggsy and Merlin (Mark Strong) travel to Kentucky to meet the Statesman; an American organisation of spies. The two groups must work together to try and stop the mysterious rise of the Golden Circle led by deranged company leader Poppy (Julianne Moore).

Even with all of the flaws that come with this one, I cannot deny that there is still a bundle of fun to be had with it and as long as you flick that ol’ brain off then you’ll enjoy most of it. The super fast sequences, pacy backing music and silly yet brilliantly gimmicky gadgets all combine to create a crazy time.

I must say that the biggest and most serious crime of this film is not the annoying and frenzied camera work nor the muddling mess of new and old characters but the run-time, coming in at 141 minutes this film with all its whizz and spectacle actually begins to tire and by the end I must admit I was growing bored. Back to the first comment of frenziness, what made Secret Service so delightfully entertaining to watch was the energetic way they presented fight scenes, such as that awesome massacre in the church but here most battles are with more than 2 people or cut against other fights so you end up losing the focused choreography and instead begin getting a headache.

The story isn’t much of a change either, instead of Valentine trying to wipe out a huge percentage of the world with technology we get Poppy trying to wipe out a huge percentage of the world with addiction and the idea of legalisation. It starts off as an interesting premise and Poppy’s whole jungle like 50’s ghost town is a cool location but the plot becomes less creative and more stupid.

Egerton is back on form as the almost cocky yet charming and confident street lad turned suave. Strong gets more time on screen but mostly to sing Country Roads which becomes a quite sad note to be honest. Moore is a wonderful watch as the pretend sweet American housewife type with an insane and evil streak. Channing Tatum rocks up and does little more than his Tatum best then there’s Pedro Pascal who almost runs away with the whole film as the whip-cracking lasso wielding Whiskey. Colin Firth gets a mildly interesting arc to play upon his return which I won’t spoil of course.

This is a disappointing film to tell the truth without the creative flair and brutal nature of the first, it feels more like a kiddified rush with no brains and just lots of spare energy to burn up. It does have some funny moments and a few rewarding set pieces but with this golden circle scratch away the layer and you’re left with a cheap knock-off.

Oh….Elton John steals the show!

5/10

 

Ten from the Bottom ’16

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Well thank goodness 2016 is nearly over. What an eventful year, iconic celebrities passing away, politics around the world going crazy, Stranger Things deservedly soaring, Trump undeservedly soaring and movies of the past 12 months missing the mark more than usual. It truly was a disappointing year for film with a lot of the feature’s I’d seen scoring average marks at best.

This easily could have been a Top 20 list…I’ve even had to be cheeky enough to tie a couple of films just to squeeze them into the running order. I’m also sick of this year and looking forward to a joyful experience of 2017 that here’s the bad movies that just missed out from pride of place in the final countdown:

Ghostbusters….The Legend of Tarzan….A Bigger Splash….Bad Neighbors 2….X-Men: Apocalypse….Office Christmas Party….Miss Peregrine’s Home for Peculiar Children….The Big Short….Bad Moms….Keeping up with the Joneses….The Girl on the Train….Finding Dory….Passengers….The BFG and The Huntsman: Winters War. 

On with the main show then —

10) SUICIDE SQUAD…AND SAUSAGE PARTY

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Yes it’s cheating the system slightly but just call it the Troy Review Electoral College and this is why they both win (or lose by being in the list). Firstly with Suicide Squad, an eagerly awaiting fun looking film with a punchy trailer that actually had a poor script, poorer execution, a soundtrack like an epileptic record player and a bad Joker. Squad review.

Sausage Party had a good if not great premise but is such a film catered to guffawing teenagers with smut layered on every scene that eventually the sex jokes wear thin and there’s nothing left to offer…that food orgy scene is OTT, a lame sequel set up comes about and well…read more in my full review —> SP

9) ME BEFORE YOU

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Not my type of film anyway but on top of this is the near constant cheesiness involved. It’s also a film pushing into trying to be that sad movie that girls wipe away stains of mascara after watching it. More than this, the problem lies with the main disability and how forced it becomes. Me B4 U review

8) ALLIED

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The so-called passion between Cotillard and Pitt is more wet than a Christmassy brussel sprout fart, the story-line is absurdly dull with no clever turn and the boredom factor reaches near Spinal Tap levels of 11. Don’t be a traitor, read the full review here.

7) ZOOLANDER 2

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Fashion is danger! So is this ‘comedy’ sequel sprawling with celebrity cameos, a very shaky script and an overwhelming disappointing feeling you get by seeing it. It tries too hard and fails harder…check out how hot my review is right now.

6) FRIEND REQUEST…AND THE 5TH WAVE

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Let’s begin with Friend Request which is like an unwanted invite you get after seeing Unfriended. This sort of follow up/remake film is terrible. There’s lame jump scares, things become unintentionally funny and it feels similar but badly so to the visual flair of Unfriended. Delete now.

Chloe Grace Moretz in this shocking young adult science fiction attempt is okay but stares into the distance a lot, like I did trying to watch this film. Cheap effects and a terrible twist don’t help the movie along. Review.

Into the Top 5 we go –

5) AMERICAN PASTORAL

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The directorial debut from Ewan McGregor but not one to remember. The one word that would describe this movie is boring. It could have been way more interesting and powerful but it’s overly sentimental and hard to get through. American Bore

4) WARCRAFT

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So much going on and none if it really any good is this mostly boring fantasy flick from the brilliant director Duncan Jones…though you wouldn’t think it watching this. Long, silly and a titled beginning which hopefully has no middle or end to come. Borecraft.

3) BATMAN VS. SUPERMAN: DAWN OF JUSTICE

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Long. A ridiculous plot. Lex Luthor’s more ridiculous plan. Jesse Eisenberg’s even more ridiculous acting. Boring Cavill. Boring generally. MARTHA! Thank goodness for Batfleck. BvS review

2) WIENER-DOG

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A couple of laughs really really really don’t save this film. It’s dreary, striving to be artistic and/or pretentious. The comedy it does have becomes annoying as it gets drawn out to breaking point. The movie is disjointed and the ending of it all is so horrendous and of bad taste that it leaves the film with such a sour note making you hate it further. Wiener of a film

Well…after taking that depressing trip down movie memory lane, I’ve come to the end of the line. Numero uno, the big kahuna of bad…a film so utterly terrible, unfunny and disgraceful that I knew it would be the first placed worst movie as soon as I’d finished watching it, almost a year ago.

1) DIRTY GRANDPA

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What do you want?? Read my review. I don’t wish to waste time writing more about this film. Go away…see you (hopefully) in 2017!

Passengers (2016)

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‘There’s a reason they woke up early’, so the tagline for this movie goes, as it turns out it’s not a very interesting or even great one. The only great thing the film has going for it is the fun chemistry between its leads and a superbly glossy style for the ship where the action takes place.

Avalon; a spaceship, is travelling to Homestead II, a planet for people to live on. The course will take 90 years but suddenly passenger Jim Preston (Chris Pratt) awakes from his hibernation pod and finds himself alone. Preston’s only company is a barman android named Arthur (Michael Sheen). Later down the line, writer Aurora Lane (Jennifer Lawrence) is awoken and with Jim they try to solve the ship’s mystery whilst also falling for each other.

For the positives of this movie, the spaceship has a cool and incredibly sleek design. It’s clear the makers of the film have taken time to think about how certain rooms and items should appear. Avalon is a rotating craft and on the inside, modern technology is advanced with rooms aboard boasting entertainment to rival cruise liners. The connection between Jim and Aurora grows nicely and is believable consistently as they spend more time together. Gravity falls, machines fail and threat does come into play for moments which is good to see but that doesn’t outweigh the rubbish plot.

It’s a shame the story increases in it’s ridiculousness because for the portions of the movie where Pratt is by himself the movie is strong. It of course never reaches that amazing solitary ‘Moon’ vibe of Rockwell/Jones but it gets close and has a neat cold vibe about it as we see him struggle. Sadly as the sci-fi dwindles and the romance takes over it feels like ‘Titanic’ in space, also plot points that create dramatic changes are executed in the most expositional way.

Not only these moments annoyed me in how the writers got the story to move forwards but there were no twists which I expected and the actual thing that caused early rising from hibernation was nowhere near a revelation as it could…should have been. That could have been a clever and possibly dark idea played with but they never tread down that path, even ‘Wall-E’ is a darker comment on society than this is.

Chris Pratt is engaging and manages to submerge his usual Pratt shtick as the cabin-fever sets in. Jennifer Lawrence is a glowing presence as she steps into the story and breaks down with suitable emotion upon realising why she’s there. Together as a couple of love struck space travellers they work well and a spark is clear. Michael Sheen plays a near emotionless character to convincing standards with ever present glossy eyes and almost creepy smile adding to his role.

This film gets more dumb as it continues and makes you forget the nice intense moments that it started with. Aside from a captivating pairing of actors this is a creepily played out love story that doesn’t know how to stop.

5.5/10