Baby Driver (2017)

baby-driver-poster

4 years since the pub crawling finale to the Cornetto Trilogy, Edgar Wright returns with an adrenaline soaked beauty.

Wright is back with his signature stylish/comic aptitude and this time applies his directorial genius to a project with bigger action and bigger thrills. Atlanta becomes a playground for him as he shows off a satisfying masterful handle on the genre of heists, car chases and Bonnie and Clyde-esque dramatics.

Baby (Ansel Elgort) is a smooth, superstar getaway driver who’s tied to working for shady Doc (Kevin Spacey) who brings together differing personalities to carry out robberies. It happens that Baby is permanently listening to music winding up the likes of Bats (Jamie Foxx) and others but this trait of his is no weakness and also helps him strike up conversations with waitress Debora (Lily James) who could end up in danger the closer she gets to the mysterious music man.

Usually I leave the music chat til later on and focus in on plot and style, but this movie isn’t anything (or much of note) without the music it offers. The soundtrack is one of pure delight and boosts the movie an incredible amount of energy. The effortless car choreography is amped up further thanks to the loud and proud songs throughout. It’s no lie to say that every escape moment whether on foot or behind the wheel made me sit up and smile like a buffoon because they’re just so fun to watch with a finesse that’s hard to ignore.

That’s not to say that if the songs were wiped off then the movie would be terrible, it would just be mediocre and quite possibly forgettable. It’s the choice of the iPod playing such excellent music that this film is the stylish marvel it is. The editing too must be mentioned because it’s like every motion is clipped and fitted to coincide with the change of artists from T.Rex to Queen.

Detail is everything in Edgar Wright movies, he displayed that in ‘Scott Pilgrim vs. the World’ with comic book styling adding a zany and cartoonish look to almost every frame. This is the case again, for example, the opening credits feature Baby on route to fetch coffees and the song lyrics playing in his buds litter the backdrop from posters to graffiti in such a cool way. The look of the film is very retro America, from the locations and fashion. The characters are outlandish and cartoony but also provide a very real sense of threat when the movie needs to shift to the necessary air of tension and drama.

Strangely, amongst all the skids, sirens and shots fired in this killer feature, there is a sweetness to be found in the central relationship between Baby and Debora. It does admittedly feel left out sometimes and grows to a love before you know it but it softens up the film nicely and Lily James helps give a radiant glow amongst the sharper carnage of every other character. Hell, there’s sweetness to be found with Baby and his foster father.

The only teeny critiques I have with the film is there were a couple of times it lulled. The ending was perhaps twee and could have ended a slight nudge earlier and it is mostly the music that makes this film. It’s no five star baller but it’s so damn close.

Elgort is a tip toe away from arrogance that you don’t like him but there’s enough charm and intelligence to his character that you keep on his side. James as mentioned gives the movie a romantic and soft touch, the scene with her and Baby in a laundromat is another creative and stylish moment that stands out and sets up their connection nicely. Foxx is cool but clearly unhinged and provides the narrative its more tense moments. Spacey flits between good and bad and heck if you know what his motives are as only Spacey could in such a confident manner. Jon Hamm and Eiza Gonzalez are a perfect crazed Romeo and Juliet of weaponry and love. Everyone has a moment to shine with a script by Wright that is funny and fierce.

Go see this because it’s truly something you won’t be seeing anything like for the rest of the year. It’s a jacked up joy ride and one you’ll enjoy being in the backseat for. Hold on tight!

8.5/10

Advertisements

Kingsman: The Golden Circle (2017)

kingsmanposter_0

Wow….oh dear oh dear. I have left this little blog of mine neglected for quite a long while. I’ve promised myself now, that with a change in my job patterns, I will get back into a writing rhythm again and that will start by returning to this site and reviewing movies as much as possible. So let’s roll right along with the recent release of the Kingsman sequel. You can find my thoughts of the 1st one here.

Just over 2 years ago Matthew Vaughn delivered cinema audiences a fast and fun action spy movie that was more a Bond film than the actual Bond films are. To say I was looking forward to this film would play down my anticipation but I didn’t want to fall into that ‘over-hype’ trap so I just let the film arrive without overplaying trailers or talking about it a lot. Even without the over-hype this film deserves no hype, it’s fizzled out in comparison and trying too hard.

Eggsy (Taron Egerton) is now living with the Swedish princess from, yes that scene at the end of the first film. After the Kingsman brand is hacked and attacked, Eggsy and Merlin (Mark Strong) travel to Kentucky to meet the Statesman; an American organisation of spies. The two groups must work together to try and stop the mysterious rise of the Golden Circle led by deranged company leader Poppy (Julianne Moore).

Even with all of the flaws that come with this one, I cannot deny that there is still a bundle of fun to be had with it and as long as you flick that ol’ brain off then you’ll enjoy most of it. The super fast sequences, pacy backing music and silly yet brilliantly gimmicky gadgets all combine to create a crazy time.

I must say that the biggest and most serious crime of this film is not the annoying and frenzied camera work nor the muddling mess of new and old characters but the run-time, coming in at 141 minutes this film with all its whizz and spectacle actually begins to tire and by the end I must admit I was growing bored. Back to the first comment of frenziness, what made Secret Service so delightfully entertaining to watch was the energetic way they presented fight scenes, such as that awesome massacre in the church but here most battles are with more than 2 people or cut against other fights so you end up losing the focused choreography and instead begin getting a headache.

The story isn’t much of a change either, instead of Valentine trying to wipe out a huge percentage of the world with technology we get Poppy trying to wipe out a huge percentage of the world with addiction and the idea of legalisation. It starts off as an interesting premise and Poppy’s whole jungle like 50’s ghost town is a cool location but the plot becomes less creative and more stupid.

Egerton is back on form as the almost cocky yet charming and confident street lad turned suave. Strong gets more time on screen but mostly to sing Country Roads which becomes a quite sad note to be honest. Moore is a wonderful watch as the pretend sweet American housewife type with an insane and evil streak. Channing Tatum rocks up and does little more than his Tatum best then there’s Pedro Pascal who almost runs away with the whole film as the whip-cracking lasso wielding Whiskey. Colin Firth gets a mildly interesting arc to play upon his return which I won’t spoil of course.

This is a disappointing film to tell the truth without the creative flair and brutal nature of the first, it feels more like a kiddified rush with no brains and just lots of spare energy to burn up. It does have some funny moments and a few rewarding set pieces but with this golden circle scratch away the layer and you’re left with a cheap knock-off.

Oh….Elton John steals the show!

5/10

 

Ten from the Bottom ’16

suicide-trump

Well thank goodness 2016 is nearly over. What an eventful year, iconic celebrities passing away, politics around the world going crazy, Stranger Things deservedly soaring, Trump undeservedly soaring and movies of the past 12 months missing the mark more than usual. It truly was a disappointing year for film with a lot of the feature’s I’d seen scoring average marks at best.

This easily could have been a Top 20 list…I’ve even had to be cheeky enough to tie a couple of films just to squeeze them into the running order. I’m also sick of this year and looking forward to a joyful experience of 2017 that here’s the bad movies that just missed out from pride of place in the final countdown:

Ghostbusters….The Legend of Tarzan….A Bigger Splash….Bad Neighbors 2….X-Men: Apocalypse….Office Christmas Party….Miss Peregrine’s Home for Peculiar Children….The Big Short….Bad Moms….Keeping up with the Joneses….The Girl on the Train….Finding Dory….Passengers….The BFG and The Huntsman: Winters War. 

On with the main show then —

10) SUICIDE SQUAD…AND SAUSAGE PARTY

Suicide_Squad_Poster

sausage_party_ver2

 

 

 

 

 

 

 

Yes it’s cheating the system slightly but just call it the Troy Review Electoral College and this is why they both win (or lose by being in the list). Firstly with Suicide Squad, an eagerly awaiting fun looking film with a punchy trailer that actually had a poor script, poorer execution, a soundtrack like an epileptic record player and a bad Joker. Squad review.

Sausage Party had a good if not great premise but is such a film catered to guffawing teenagers with smut layered on every scene that eventually the sex jokes wear thin and there’s nothing left to offer…that food orgy scene is OTT, a lame sequel set up comes about and well…read more in my full review —> SP

9) ME BEFORE YOU

Me-Before-You-Movie-Poster

Not my type of film anyway but on top of this is the near constant cheesiness involved. It’s also a film pushing into trying to be that sad movie that girls wipe away stains of mascara after watching it. More than this, the problem lies with the main disability and how forced it becomes. Me B4 U review

8) ALLIED

alliedposter

The so-called passion between Cotillard and Pitt is more wet than a Christmassy brussel sprout fart, the story-line is absurdly dull with no clever turn and the boredom factor reaches near Spinal Tap levels of 11. Don’t be a traitor, read the full review here.

7) ZOOLANDER 2

Zoolander-2-Posters

Fashion is danger! So is this ‘comedy’ sequel sprawling with celebrity cameos, a very shaky script and an overwhelming disappointing feeling you get by seeing it. It tries too hard and fails harder…check out how hot my review is right now.

6) FRIEND REQUEST…AND THE 5TH WAVE

The-Fifth-Wave-War-PosterFinal-poster-online

Let’s begin with Friend Request which is like an unwanted invite you get after seeing Unfriended. This sort of follow up/remake film is terrible. There’s lame jump scares, things become unintentionally funny and it feels similar but badly so to the visual flair of Unfriended. Delete now.

Chloe Grace Moretz in this shocking young adult science fiction attempt is okay but stares into the distance a lot, like I did trying to watch this film. Cheap effects and a terrible twist don’t help the movie along. Review.

Into the Top 5 we go –

5) AMERICAN PASTORAL

american-pastoral-poster

The directorial debut from Ewan McGregor but not one to remember. The one word that would describe this movie is boring. It could have been way more interesting and powerful but it’s overly sentimental and hard to get through. American Bore

4) WARCRAFT

warcraft-movie-poster

So much going on and none if it really any good is this mostly boring fantasy flick from the brilliant director Duncan Jones…though you wouldn’t think it watching this. Long, silly and a titled beginning which hopefully has no middle or end to come. Borecraft.

3) BATMAN VS. SUPERMAN: DAWN OF JUSTICE

PHDHoUG4AUNdHI_1_l

Long. A ridiculous plot. Lex Luthor’s more ridiculous plan. Jesse Eisenberg’s even more ridiculous acting. Boring Cavill. Boring generally. MARTHA! Thank goodness for Batfleck. BvS review

2) WIENER-DOG

Wiener-Dog

A couple of laughs really really really don’t save this film. It’s dreary, striving to be artistic and/or pretentious. The comedy it does have becomes annoying as it gets drawn out to breaking point. The movie is disjointed and the ending of it all is so horrendous and of bad taste that it leaves the film with such a sour note making you hate it further. Wiener of a film

Well…after taking that depressing trip down movie memory lane, I’ve come to the end of the line. Numero uno, the big kahuna of bad…a film so utterly terrible, unfunny and disgraceful that I knew it would be the first placed worst movie as soon as I’d finished watching it, almost a year ago.

1) DIRTY GRANDPA

FIN04_DirtyGrandpa_1Sht_Flex_VF-mtv-1452102091

What do you want?? Read my review. I don’t wish to waste time writing more about this film. Go away…see you (hopefully) in 2017!

Passengers (2016)

passengers

‘There’s a reason they woke up early’, so the tagline for this movie goes, as it turns out it’s not a very interesting or even great one. The only great thing the film has going for it is the fun chemistry between its leads and a superbly glossy style for the ship where the action takes place.

Avalon; a spaceship, is travelling to Homestead II, a planet for people to live on. The course will take 90 years but suddenly passenger Jim Preston (Chris Pratt) awakes from his hibernation pod and finds himself alone. Preston’s only company is a barman android named Arthur (Michael Sheen). Later down the line, writer Aurora Lane (Jennifer Lawrence) is awoken and with Jim they try to solve the ship’s mystery whilst also falling for each other.

For the positives of this movie, the spaceship has a cool and incredibly sleek design. It’s clear the makers of the film have taken time to think about how certain rooms and items should appear. Avalon is a rotating craft and on the inside, modern technology is advanced with rooms aboard boasting entertainment to rival cruise liners. The connection between Jim and Aurora grows nicely and is believable consistently as they spend more time together. Gravity falls, machines fail and threat does come into play for moments which is good to see but that doesn’t outweigh the rubbish plot.

It’s a shame the story increases in it’s ridiculousness because for the portions of the movie where Pratt is by himself the movie is strong. It of course never reaches that amazing solitary ‘Moon’ vibe of Rockwell/Jones but it gets close and has a neat cold vibe about it as we see him struggle. Sadly as the sci-fi dwindles and the romance takes over it feels like ‘Titanic’ in space, also plot points that create dramatic changes are executed in the most expositional way.

Not only these moments annoyed me in how the writers got the story to move forwards but there were no twists which I expected and the actual thing that caused early rising from hibernation was nowhere near a revelation as it could…should have been. That could have been a clever and possibly dark idea played with but they never tread down that path, even ‘Wall-E’ is a darker comment on society than this is.

Chris Pratt is engaging and manages to submerge his usual Pratt shtick as the cabin-fever sets in. Jennifer Lawrence is a glowing presence as she steps into the story and breaks down with suitable emotion upon realising why she’s there. Together as a couple of love struck space travellers they work well and a spark is clear. Michael Sheen plays a near emotionless character to convincing standards with ever present glossy eyes and almost creepy smile adding to his role.

This film gets more dumb as it continues and makes you forget the nice intense moments that it started with. Aside from a captivating pairing of actors this is a creepily played out love story that doesn’t know how to stop.

5.5/10

 

Rogue One (2016)

rogueone_onesheeta

Jumping into hyperspace is this Star Wars story, slotting before ‘A New Hope’, it’s a fantastically expansive kick-start to the Lucasfilm and Disney anthology series, with the overall feel of this operatic space blockbuster being somewhat different to what has come before.

After being freed by Rebel Alliance officer Cassian (Diego Luna), Jyn Erso (Felicity Jones) comes to realise her father Galen (Mads Mikkelsen) has been building a powerful weapon for the Imperial Army. Hoping to find some plans to destroy the Death Star, Jyn leads a troop of fighters to do just that and avoid the evil grasp of Orson Krennic (Ben Mendelsohn).

A film such as this is obviously going to arrive with trumpets tooting and hype at an all time peak, so it’s always a task to live up to expectations. Mostly, this movie does succeed if not having a few minor weaknesses. The detail and visual splendour of every planet alone is enough to delight and even more so when seen on the IMAX screen. The new characters are engaging enough to take us on this rebel journey and they’re written with that classic Star Wars code of either bad or good to fit this standalone story snugly with the other movies.

What works so nicely and what I liked the most wasn’t just the impressive scale of the hero’s mission but the attempt at a different tone set up here. It’s not exactly darker but threat is certainly on the line and with everyone’s favourite masked baddie back again it’s clear that the good guys need to watch out. The narrative we receive is unique enough in not tripping fully down nostalgia lane and it has us thrown into a murkier spy-like sci-fi with lives very much on the line.

It’s a simple focused story which is why it’s easy to follow this film and immerse yourself amongst the new creatures, wonderful Michael Giacchino score and fan pleasing links to the Star Wars galaxy. Gareth Edwards directs confidently and with his team the structure of the movie is sound, it all works well, maybe too well because there’s times when the movie feels safe even when it’s treading down an unexplored road of danger and rebellion.

For me at least, the ending is orchestrated greatly, sky fights and ground battles combine in harmony but there comes a time when casualties of war become commonplace and drastically lose impact. Also a near end deus ex machina is totally cliched and felt lazy. Everything just comes to a head, it’s like they tried set up but it didn’t quite work and thinking on it the simple story is non-daring and tightropes the line of being not Star Wars but yet a thoroughly Star Wars picture.

Felicity Jones is brilliant in this, she portrays a gritty determination and hopeful look for a better Empire. The wavering teary eyes give great character emotion and then she can do steely Lara Croft action or engaging empathising smiles to round Jyn Erso as a cool addition to the Wars World. Ben Mendelsohn does a fine job in almost stealing the show, snarls and calm villainous stares make him a marvellous antagonist. Forest Whitaker is a believable guardian yet with a shaky moral core being good yet having a mean streak for intruders. Diego Luna pairs nicely with Jones, the writing of an affection is lame but he’s a rough and ready soldier and a capable male lead. It’s great to hear James Earl Jones voicing Vader once more and trust me, Darth does force choke his way to bad-assery during the film.

Mostly, Rogue One is an entertaining change to the galaxy we know, as it tries to conjure up something a bit different which is almost 100% successful and aside from a couple of near-end niggles, this is a movie to excite all ages and comfort you whilst blasting you with new faces and new worlds.

7.5/10

Momentum (2015)

momentum

Never really ceasing from fight sequences or other octane fuelled scenarios, this action feature is a fun lark but underneath this there’s nothing special in terms of storytelling to keep the movie from feeling like a Friday night watch with not much else to do…which is exactly when I viewed it.

After a bank heist, Alex (Olga Kurylenko) is made and must keep evading police attention, on top of this she has an important flash drive that a senator (Morgan Freeman) wants back. He sends out a team of specialists to try and kill her and return the item, but Mr. Washington (James Purefoy) is dealing with a skillful tenacious young woman.

This is a directing debut from a man called Stephen Campanelli who seems to know action films but can’t really pump the same degree of fun into his movie. There are some alright scenes and everything is handled as you’d expect but it feels like a straight to DVD kind of thing and even some watchable popcorn filler with punches aplenty or a car chase of carnage can’t lift it to cinematic levels.

To be honest there are a couple of cool touches in the film, for example in the bank heist we see some Daft Punk-esque robbers who may star in a pretty unexciting opening/bank heist but look different and then we get Alex as a character who like a female Jason Bourne goes all out to win the day and yes she may not be special but she’s interesting enough to follow the film with.

It’s just that like the title of the movie, it never stops going…there’s no rest point or clever scenes to slow the pace down. Now that could be a good thing but it’s done in a way that you want it to stop. Not even a ‘Reservoir Dogs’ like torture scene can amp up any tension in the non-action points. It feels like a film churned out with no true thought to stand apart from every other action release and it’s one you probably won’t even have watched.

Kurylenko is the smouldering woman on the run/warpath and convinces as the capable Alex but there’s not too much to her apart from looking good and fighting good. Purefoy does his gentlemanly villain role as I’ve come to grow used to thanks to the ever terrible ‘The Following’ TV show. Morgan Freeman luckily grabs a paycheck for turning up and speaking on the phone in front of the cameras…nice work if you can get it.

It’s not awful but it really really isn’t good either, it’s background noise and that’s about it to tell the truth.

4.5/10

Keeping Up with the Joneses

keeping-up-with-the-joneses-quad

The idea is great and the cast are greater but sadly it falls apart like some botched ‘Mr and Mrs Smith’ mission thanks to a quite tame and laugh free screenplay.

Cul-de-sac parents Jeff (Zach Galifianakis) and Karen Gaffney (Isla Fisher) get more than they bargained for as apparent perfect neighbours Natalie (Gal Gadot) and Tim Jones (Jon Hamm) move in. Karen is suspicious and after some digging, she and her husband find out their next door folks are spies.

Greg Mottola who directed the still fantastically funny ‘Superbad’ displays a good hand at the action style drama blended in with the suburban set-up and though this mix of action and comedy sometimes works, Mottola cannot do much to save the day as the Joneses may have and that’s down to the writing.

Michael LeSieur seems to forget the cleverness of what a cool premise is on his hands and instead pratfalls, sex jokes and shrieking fill that missed gap. It’s not helped along by the fact this movie feels kind of long, which isn’t top stuff considering the zippy attempts at spy like frenzy produced on the screen. Where perhaps another writer or British studio would have gifted this plot some wit and smart humour, this film just feels like most other average American comedies that fit into a box and don’t even sniff of trying to break out of it.

Saying this, I found the office scene of texting instead of speaking mildly amusing, the smouldering tension between Gadot and Fisher as they meet in a mall changing room is written well to show off one half of the Jones’ power play. The car chase with the Gaffney’s aiding the escape does stretch to a near boring point but doses some nice adrenaline into the film. The odd yet out there snake restaurant was another neat touch giving Galifianakis lots of room to do his funny shtick.

Hamm and Gadot are the perfect good looking, tall and mysterious pair. They stare and smoulder with ease but don’t have much in the way of development even if the film thinks they’re giving them rounded personalities. Galifianakis gladly isn’t the Alan role here, he’s less weird and acts a helpful talkative man well. Fisher…well she’s just…impossibly forgetting the lingerie moment, she plays off Zach nicely and portrays some degree of strength in knowing people and has a chance to pull funny faces, scream and move through scenes in a way that’s put her Jacques Lecoq training to good use.

The whole suburbia thing of hum-drum people attempting to step out of their comfort zones to live a little is made no less predictable and less bland here.The story is not great and I didn’t laugh out loud but then I inwardly chuckled on occasions and found enough of the film enjoyable.

5.5/10