Sully (2016)

sully_ver2

Soaring heights and then crashing back to Earth very quickly, is this safe biographical drama that is interesting, good but an overall un-amazing feature that feels as if it’s hovering calmly over the water never daring to pull up or take the plunge.

In early January, Captain Sully (Tom Hanks) is boarding a flight from LaGuardia in New York to Charlotte in North Carolina, but he and First Officer Jeffrey (Aaron Eckhart) literally fly into trouble as a flock of birds damage their engines. In that quickening scenario of danger Sully manages to land the plane on the Hudson but this leads to many eyes determining whether he made a bad decision.

Clint Eastwood directs this inspiring story about a brave yet everyday hero in a similarly painted-by-numbers manner that he did with ‘Jersey Boys’. It all feels like it’s conforming to a pedestrian telling of a real life event. So considering the life-threatening drama involved it is a film that never comes across as something incredible, rather you’re faced with a good but wholly simple movie.

I couldn’t say I dislike the film though, it’s made efficiently enough and captures that work-like nature of a man in crisis with ease. The differing points of view that come throughout sees the landing from both sides and builds a good narrative, but they get slightly drawn aback by two pretty pointless flashbacks that show younger Sully’s through his work progression, they hardly warrant involvement in the actual finalised release.

The words plane and disaster are ones you never want to hear spoken together, so the few times we see Sully’s nightmarish visions of a plane smashing into a NYC building conjures up jangling nerves and a 9/11 horror. Though the twinkling Christmas-esque music over the passengers being saved is cliched it does help create a miraculous aura over the triumph of many people being helped by others.

Tom Hanks is, as you’d imagine, a fine solid lead playing a capable and charmingly knowledgeable hero, on the flip-side though you know it’s Hanks all the way through and you never lose yourself into his performance enough to buy into it 100%. Aaron Eckhart gets a few good quips and does well in helpfully rooting for Sully but is mostly lost to the wayside.

‘Sully’ flies effectively yet super calmly to the screen as a biopic like nearly every other biopic that gets released during this point of the film calendar. It does the job as Sully himself did but it’s a quiet and average film.

6/10

Advertisements

Momentum (2015)

momentum

Never really ceasing from fight sequences or other octane fuelled scenarios, this action feature is a fun lark but underneath this there’s nothing special in terms of storytelling to keep the movie from feeling like a Friday night watch with not much else to do…which is exactly when I viewed it.

After a bank heist, Alex (Olga Kurylenko) is made and must keep evading police attention, on top of this she has an important flash drive that a senator (Morgan Freeman) wants back. He sends out a team of specialists to try and kill her and return the item, but Mr. Washington (James Purefoy) is dealing with a skillful tenacious young woman.

This is a directing debut from a man called Stephen Campanelli who seems to know action films but can’t really pump the same degree of fun into his movie. There are some alright scenes and everything is handled as you’d expect but it feels like a straight to DVD kind of thing and even some watchable popcorn filler with punches aplenty or a car chase of carnage can’t lift it to cinematic levels.

To be honest there are a couple of cool touches in the film, for example in the bank heist we see some Daft Punk-esque robbers who may star in a pretty unexciting opening/bank heist but look different and then we get Alex as a character who like a female Jason Bourne goes all out to win the day and yes she may not be special but she’s interesting enough to follow the film with.

It’s just that like the title of the movie, it never stops going…there’s no rest point or clever scenes to slow the pace down. Now that could be a good thing but it’s done in a way that you want it to stop. Not even a ‘Reservoir Dogs’ like torture scene can amp up any tension in the non-action points. It feels like a film churned out with no true thought to stand apart from every other action release and it’s one you probably won’t even have watched.

Kurylenko is the smouldering woman on the run/warpath and convinces as the capable Alex but there’s not too much to her apart from looking good and fighting good. Purefoy does his gentlemanly villain role as I’ve come to grow used to thanks to the ever terrible ‘The Following’ TV show. Morgan Freeman luckily grabs a paycheck for turning up and speaking on the phone in front of the cameras…nice work if you can get it.

It’s not awful but it really really isn’t good either, it’s background noise and that’s about it to tell the truth.

4.5/10