Universe travelling and diverse storytelling are on show in Ava DuVernay’s big budget Disney film, but the grand visual pleasantries to look at don’t override the ambitious scope and its ineffectual handling of the subtext.
Distracted and struggling student Meg Murry (Storm Reid) misses her father, after he randomly disappeared four years ago. Dr. Murry (Chris Pine) was a brilliant scientist and had possibly cracked the notion of teleportation and our existence. One day, three powerful travellers of the universe appear and take Meg, her brother and a school friend to Uriel in the hope of finding Dr. Murry.
I’ll begin with the positives because there’s a lot of negatives I wish to cover. Firstly, the visuals are splendidly colourful and some of the landscapes the characters visit, are lush and rife with stunning cinematography that looks great on the big screen. I liked or perhaps appreciate the bold ideas stemming from the 1962 novel; these themes of family, spreading love and ridding hate are nice enough and espicially with the state of things currently, I found those ideals hold up well but they did feel forced and/or twee. A sequence on a beach with Michael Pena was pretty good with the most tension I absorbed but, alas it was short-lived.
The main issue, I feel, is that the movie never seems sure of what it’s projecting and it heavily flits between moments of science mumbo jumbo that most children wouldn’t grasp and saccharine annoyance that adults will tire of. It’s as if the writers and director were trying to mix childhood fantasy with profound statements on life and love together, which never succeeds, sadly.
Attempts at humour fall massively flat and again feel forced, costume and make up on display from the three astral beings are impressive but they change without reason anytime they shift location, like the movie is shooting for an Oscar nod for Costume Design and Make Up and Hairstyling next year. Meg’s adoptive brother Charles Wallace is mega annoying plus the fact they can’t ever just say Charles becomes grating. CGI in places is less than inspired and wholly distracting in a cheap way, which is odd considering the nine figure budget behind this production.
Generally, I was never by hooked any of the film. Scenes that were obviously going for tension never felt like they were raising stakes. Even with the dramatic altering of the sibling relationship, I still felt bored with the story. I for sure lost my patience fairly early on with this movie which is a shame because there could have been something very special and triumphant about it all, instead of the restrained, sickly sweet and messy feature it turns out to be.
Reid is by and large another one of the only other positives I got from this film, she’s a powerful performer with an evident understanding of this hard subject material and how to portray Meg as a difficult, somewhat stubborn but loving and brave character. Oprah Winfrey delivers messages of hope, light and typical Disney fortune cookie tid-bits in a way that stirs quite nicely. Reese Witherspoon plays Mrs Whatsit, someone without much tact and still learning, she showcases that well but is another annoying factor, as is the performance from Deric McCabe as Charles. Just Charles. Mindy Kaling plays Mrs Who, but is all but pointless in a turn that mainly has her spouting quotes from scholars, playwrights and Chris Rock. Levi Miller is Meg’s friend Calvin who is extremely pointless and I never understood why he was there.
This is a Disney dud that I’ll try and forget in a hurry. There’s only tiny wrinkles in the run-time that kept me engaged but the majority is frustratingly bad.