Mid90s (2019)


This 1990’s set coming-of-age film is made by first time director Jonah Hill. You can definitely sense his comedic style influencing the way the characters speak but as a debut role behind the camera, does Hill give us something Superbad or is it an example of a Megamind to keep watch of?

13 year old Stevie (Sunny Suljic) lives at home with his bully big brother Ian (Lucas Hedges) and mum Dabney (Katherine Waterston). After witnessing some older teenagers having fun skateboarding, Stevie decides to try his hand at the activity and in turn he makes friends with the crew, even if it does mean he starts skating down some dodgy roads.

The transition from indoor gamer Stevie to hanging out outside and christened ‘Sunburn’ is a swift yet glorious watch. He does the thing most youths did when they felt a phase was too babyish for them; he removes posters and adds up more grown up memorabilia and tries adult things in the hope of fitting in. What Jonah Hill does as writer/director is ensure the rite of passage is lovingly documented and the 90’s setting is pretty much the perfect, grungy backdrop to tell the story.

As if on its own wheels, this film shuttles by and with Nick Houy’s editing you really feel as if his life is injected with a dangerous spurt of energy. There is a party scene which opens with funky fresh cuts that snap along to the beat of the music and it isn’t just this which shows some sharp snips, the film has a few other, somewhat brutally effective edits enhanced by blasts of sound, which clatter in a shocking way.

‘Mid90s’ isn’t all fast paced masculinity though, there are a couple of touching moments portrayed in the bond between Sunburn and group leader and hopeful skater pro Ray. The way that Ray cares for and likes to see their new member get up and try again is great and they have a well written connection, especially in a silent and sunlit exchange where Ray fixes Stevie up with a new board.

It is a mostly solid bolt out of the gates from Hill, aside from one iffy scene at a house party that sees the li’l lead getting hit on by an older gal. Their age difference and following bases he ticks off are met with applause but it’s a tonally weird feeling scene, and if things were the other way around, with an older lad sexually advancing on a younger female then it’d be torn apart, but here it’s treated as a celebration and something a kid should go through to be deemed ‘cool’. Some may view it as harmless and a mildly amusing scene but it didn’t sit right with me.

Suljic is a fantastic actor with his youth shining through in the desired places and this childlike wonder adds flavour to his more grown up language and actions. He has this puppy dog loyalty that he acts wonderfully as he plays in a new gang. These sunnier parts are contrasted by some darker elements of his personal life which he attacks with no reserve.

Even if skateboarding was never your scene, Jonah Hill writes and directs a film with a neat focus on angst, awkwardness, puberty, brotherly fights and trying to fit in, without ever really messing any of those qualities up. ‘Mid90s’ is a coming-of-age movie rife with skater-boi law breaking and growing pains, which thoroughly reflect male childhood.



91st Academy Award Predictions


Today is Oscar Sunday, the end of awards season and the annual beginning of people arguing what won shouldn’t have won.

This years ceremony has been beset by a near constant run of back and forths and who knows how the show with no host will run, be it smoothly or not but one thing can be guaranteed, some golden statuettes will be handed out. Here are my predictions on who will take away awards and in capitals to the side are who I’d like to win:

Best Picture – Roma        THE FAVOURITE

Best Actor – Rami Malek       MALEK

Best Actress – Glenn Close     OLIVIA COLMAN

Best Director – Alfonso Cuaron     CUARON

Best Supporting Actor – Mahershala Ali     RICHARD E. GRANT

Best Supporting Actress – Regina King      RACHEL WEISZ

Best Animated Film – Spider-Man: Into the Spider-Verse      SPIDER-VERSE

Best Original Screenplay – Roma          THE FAVOURITE

Best Adapted Screenplay – BlackKklansman         THE BALLAD OF BUSTER SCRUGGS

Best Documentary – Free Solo         FREE SOLO

Best Documentary Short – End Game

Best Foreign Language Film – Roma          ROMA

Best Original Song – Shallow           THE PLACE WHERE THE LOST THINGS GO

Best Original Score – Black Panther         BLACK PANTHER

Best Sound Mixing – First Man             BOHEMIAN RHAPSODY

Best Sound Editing – A Quiet Place         A QUIET PLACE

Best Make-up and Hairstyling – Vice        MARY QUEEN OF SCOTS

Best Production Design – Roma           THE FAVOURITE

Best Costume Design – The Favourite      THE FAVOURITE

Best Cinematography – Roma         ROMA

Best Film Editing – Vice             BLACKKKLANSMAN

Best Visual Effects – Ready Player One        INFINITY WAR

Mile 22 (2018)


Director Peter Berg and actor Mark Wahlberg have teamed up for the fourth time for this action outing. Their past efforts may have picked up acclaim and entertainment value in equal measures but this is the dud of the bunch by a mile…or 22.

After an operation at a Russian safe house, a strike-force are still on the hunt for caesium, before it could devastate thousands of lives. Li Noor (Iko Uwais) hands himself in to the U.S Embassy in Indonesia, claiming to have memorised the code to open a powerful disc which holds the location of the caesium. An Overwatch team led by Jimmy Silva (Wahlberg) need to transport Noor, 22 miles to a plane so he can claim asylum and tell them the code.

This so called action thriller is a nasty tolerance test of how long you can stomach watching the confusing film play on. It’s an extremely manic movie, one that makes your eyes hurt from the dizzying back and forths between scenes that seem to bear no connection. The editing resembles Jimmy’s repetitive wristband flicking; a sharp snap series of cuts which causes an unwelcome headache, so many of the fight scenes are shoddily edited that you just can’t see what’s happening.

Easily this could have been a rip-roaring short little brutal flick which sees characters heading from point A to point B, instead it feels like 2 hours when it’s only 94 minutes long. Any chance of ‘The Raid’ like antics and combat are lost thanks to the director and cast taking themselves and the dull story way too seriously. It’s a hot mess of a plot with atrocious dialogue and moments where the screenplay believes it’s being light-hearted and amusing are misfires or plainly misplaced.

In all honesty, I checked out of the movie 15 minutes in and let the rest of the near constant screaming of curse words and bloody violence play out as some cloudy filler in front of my hardly attentive eyes. It’s a film which boils down to the most simple reveal and is completely unsatisfying so I dread to think what someone who was invested in the film would think to this lazy conclusion.

One character comments that Jimmy Silva may have a personality disorder and he’s clearly meant to be different but Wahlberg is annoying quite frankly, as a fellow Overwatch member states he’s an asshole. In fact one of the major problems, amongst many, is that the entirety of the strike-force are unlikable and they lead the film to be a disengaging shambles. Iko Uwais is the only meagre redemption for the movie, his action skills are impressive but not enough to save the movie from the dire bog of rubbishness that it is.

‘Mile 22’ is simply put, a terrible feature from point A to point B. Jimmy Silva says at one point, “the end of an operation is euphoric”. Well, I experienced euphoria at the end too, because the film was over.