Just when you thought it was safe to think Young Adult tales of togetherness, political angst and romance were over, this film powers up and hits the big screen. ‘The Darkest Minds’ does little to feel any fresher than what we’ve seen countless times before and the script is muddled and tiresome.
A lethal disease has taken the lives of 90% of children under 18; the ones that survived developed powers from telekinesis to more dangerous enhancements. 16 year old Ruby (Amandla Stenberg) is trying to hide the fact she possesses one of the more extreme powers and goes on the run with three other super-teens to try and find a place where everyone is equal and safe from children’s camps.
Of course this film proudly screams it’s producing credits of ‘Arrival’ and ‘Stranger Things’, pretending this will be a film of similar genre and calibre and it definitely misses the latter desire. There are clear echoes of the hit Netflix show and in turn ‘E.T’ here; with the group of kids walking deserted train tracks, evading vehicles on empty streets with their powers and trying to stick together against the violent motives held by government figures but none of the acting, dialogue or visuals are as exciting or tensely dramatic as in ST or E.T.
Chad Hodge’s screenplay becomes a messy shambles and seems to just repeat ideas, most likely explained better in the novel but to no climactic gain here. Conversations about factions of authorities like Tracers or League cohorts become more infuriating to listen to and Ruby just floats between running away and coming back again in what is a highly yawn inducing watch. Ruby’s powers also seem to develop and change depending on the plot needing a way out, the villain is introduced too late and is a weak adversary, it’s not even a surprising turn of events to counter balance the feeble storytelling.
Every now and then, there are some neat uses of effects; be it practical or computer generated. There’s also a short-lived but cool moment of entrapment set up in an abandoned mall. Aside from those examples and the talents of the lead female actor, this is one of those tween sci-fi dramas that thinks its premise is way more captivating and smart than it really is.
Stenberg is good I have to admit, it’s almost like she’s trying to keep her head above the water of this sinking, stinking ship and she just about manages to do so. Skylan Brooks is probably the only other performing highlight of this movie, playing the intelligent and cool Chubs. Liam, played by Harris Dickinson looks too old to be a romantic interest for Ruby and uses his forceful power to somehow make us believe these two are in love. The pairing is hugely jarring and there’s no chemistry to speak of. Lastly, Gwendoline Christie gets the Captain Phasma treatment, by being severely underused in a role that could have been more interesting and corrupt.
‘The Darkest Minds’ is boring and nothing we haven’t already seen, it even comes complete with ‘Hunger Games’ inspired hands-up-into-the-air-in-unison moment. The film seems to think they’re kicking off another YA franchise but all I can hope is that never happens.