Whilst Disney are retelling over their own classic material, it’s fair to say they aren’t adding many sequels to their films. Cue Ralph who smashes his way onto the big screen for a second time, the first Disney sequel in 7 years. Could this lumbering 8-bit character with good intentions capture the glorious magic again?
It’s been 6 years and Wreck-It Ralph (John C. Reilly) is still best buds with Sugar Rush driver Vanellope (Sarah Silverman). They spend all their downtime together but she’s feeling slightly bored in her duty, matters aren’t helped when her game breaks. So when WiFi arrives, Ralph and Vanellope venture into a limitless new land to try and save Sugar Rush but both discover their own meanings in the expanse of the world wide web.
When Ralph and co. rocked up back in 2012, it was a video game delight with neat little nods to old school arcade games and the emotional core between the strained pairing of the hulk-like titular character and his sweeter companion worked nicely. This film follows up by adding more to what we know of the place where Fix-It Felix, Pac-Man and the rest hang out, in fact it adds a humongous amount more. In a way this serves the film well in giving a large scope to riff on but at times it feels like the creators are so preoccupied with this massive environment that the heart is lost.
Directors Rich Moore and Phil Johnston hurl in a mass of references, whether game or internet based. Yes, the world wide web is a great platform to launch a new path for Ralph to travel down but it often has a vibe of shoving all its Easter eggs in one basket. The film is undoubtedly scattered with a stupendous run of playful background sightings and though it can detract from a better orchestrated narrative, there is joy to be had in the madness.
A mini Disney section is gleeful, mostly in the fun attempt to try and spot as many House of Mouse characters as possible. A princess slumber party scene is ace and it gives each doe eyed lass their own joke about the problems they have and face as Disney heroines. There are visual gags aplenty from their pyjama tops to outside Stormtroopers, Iron Man and a later princess sequence aided by powers and shifting musical cues is very enjoyable.
Amongst the sprawling carnage of an 80’s arcade figure exploring the likes of eBay, Pinterest and the Dark Web, there is this unshakeable feeling of it all being weird and that’s even before Alfred Molina slides in as some slug-like virus keeper. A surreal song and dance section, Miranda Sings and zany moments make you feel like you’re surfing the web with constant popups. The story was crafted by 5 people and sometimes it feels like the film is being tugged in all manner of directions. It would have benefited by having a proper villain and earlier introduced too.
The third act itself with a ‘King Kong’ inspired climax is underwhelming considering how big it all is and it’s a strange visual finale for a film about friendship and the pressures of insecurity, it makes sense but it goes overboard. Luckily the actual ending of the film with the main duo provides a touching moment as the journey reaches a conclusion you cannot help but get swept up by the candy sweet emotion, which is further enhanced by the fantastic vocals from Silverman and Reilly.
‘Ralph Breaks the Internet’ is jam packed with references of all kinds and it’s a film warranting a second watch in terms of catching all the detail that’s littered about. In terms of plot however, this isn’t special or really that different to what the first film had. Less is more and this film goes way entertainingly over the top in a visual feast for the eyes but less of a delectable treat in terms of storytelling.