Well cor blimey, this film looks delicious up on the big screen. The visuals aren’t the only delights though; storytelling, acting, music and cinematography are all excellent features of this sci-fi sequel that in my tiny insignificant opinion may be just as good if not better than the original.
Possibly a first here as I won’t go into a usual plot summary paragraph because I feel that any info on what the story serves could be, if not a spoiler at least something that ruins the element of intrigue that you should enter this movie with. Suffice to say it’s 30 years after the setting of the first one and we follow K (Ryan Gosling) in dystopian LA following a case after discovering something potentially world changing at a farm.
Even though I hadn’t seen the 1982 movie at the time, once this film was announced with details of Denis Villeneuve attached I did squeal a little. This incredible visual and smart director gave me cause for excitement and he does indeed pull off an incredibly visual and smart film again. It’s a very intelligent movie with cause for thought and the whole dystopian set up like in the first one gives amazing room for creative space and design. Villeneuve keeps the tone similar but that doesn’t stop him from expanding on ideas and updating them to fit in the mould of what 2049 could bring.
A strong theme within both movies is the notion of identity. In a way I feel this thread is felt even more within this release thanks to the character of K and the freedom movement he is tracking. What makes us human and what does that mean are two powerful questions and they course throughout the film with constant but not overbearing presence. The whole hero idea is another one played with and K is an interesting character because he’s not exactly all out nice guy but that moral code sits within him. A film is always good or great I say when it leaves you thinking about what you’ve seen and immersing yourself into that world to think on possible answers.
Hans Zimmer and Benjamin Wallfisch have conducted a wonderful score that trickles along in the background adding suitable futuristic sounds and as Zimmer does best the rises and boom of music at times creates the tension within certain scenes. Better than the music though is the sublime work from director of photography Roger Deakins who deserves to finally win an Academy Award with the sheer beauty he gifted this movie. The lines and forms are stunning all the way through, for example the yellow shifting light and frames captured within Wallace’s headquarters are mesmerising.
I have to comment on the newer technological ideas implanted in the movie too; such as the memory maker aspect which was visually pleasing and a very neat idea. The ‘Her’ like sexual encounter with K and his girlfriend with help from someone else was another case of something visually different. A fight with the background holographic accompaniment of Elvis and some showgirls further boosts the creative visual flair.
This film may be a little long and at times the pacing, like in the original, feels at odds and can be a tad slow but the detective story-line and the stunning future world presented on a big screen makes this a science fiction movie to stand up on its own and not just as a follow up to the Ridley Scott outing. In fact because I got to see this in the cinema unlike the first one, that is possibly the reason I like this more, the atmosphere and scale of seeing it on the big screen is necessary for this movie.