I’m going to plead ignorance here, but I went into this film not knowing anything about the musician Miles Davis. Upon exiting this American biopic I feel I know more about his lifestyle but if anything it didn’t really explain much for the common place audience member. It’s as if it didn’t really capture all essences of who this man was and how he got there.
Apparent Rolling Stones writer Dave Braden (Ewan McGregor) is interviewing famous jazz icon Miles Davis (Don Cheadle). This leads us back to how they first met and what Dave discovers is that Davis has a mix-tape (reel) of new material after a long absence. Everyone wants it but Davis doesn’t want to hand it in to Columbia Records, he starts thinking back on his music and his relationship with Frances Taylor (Emayatzy Corinealdi) as everything racks up.
Now, I honestly don’t know what of this movie was real, based on real events or typically altered hugely by the big Hollywood machine. Maybe this sounds stupid but I think this could have dealt with including more pandering to help push along people like myself who don’t know anything about Miles Davis. Because for all I know, what I saw in the heated action and gun fighting of trying to get a mix-tape (reel) is 100% accurate. Also the ending in an obviously now I realise poetic way for his legacy states Miles’ name, then 1926 -, as if he’s still alive, which after checking I can verify he isn’t. So it makes me wonder how much of this admittedly stylish and interesting movie was over exaggerated. Not a good point for a biographical movie.
Don Cheadle is a sturdy War Machine as director, actor, writer, additional composer and producer for this 2015 New York Film Festival closer. He does a great job in all fields and so much so as the director. The way scenes meld into each other or cut sharply into a later/earlier version of Miles or Dave is seamless and cool. It helps the story move along nicely and keep this gangster-esque vibe at sleek levels. It’s mostly a flashback and we flash further back in places, each time arriving with a piece of audio or image that effortlessly transports us to the next moment, which in a way stands for a brilliant statement of Miles Davis’ timeless persona.
It’s not like other biopics I’ve seen before which both is a good and bad thing. It’s good because it’s engaging and not boring, unlike the more conventional ‘Jersey Boys’. It has a musicality at all times, I swear there was a jazz or brassy beat behind all scenes which gave it a coffee shop lift. Then on the flip side, having it flick back and forth and meld possible untrue sequences makes it difficult to buy into and I still feel like I know zilch about the trumpet player, heck even one moment near the end made me think he couldn’t even play the instrument.
Cheadle is a powerhouse as the man behind the golden trumpet, he brings a swagger and electric edge to the role, his physicality dominating the screen and making Miles feel like a force of nature as well as music. The times when he’s more subdued and reminiscing are played nicely, showing the more broken side of Davis. Ewan McGregor is a fun part of the cast, playing a Scots fraud with a buzz kill side in the hope to scoop some story on Miles, but he plays the likable factor well as their odd friendship grows. Emayatzy Corinealdi is beautiful and human as the least cartoonish figure. She provides the drama and shattered dreams of life to great heights that help show the damage Miles can create. Michael Stuhlbarg is once again a fascinating watch, his moustached Harper Hamilton being shady and like a 1920’s honcho with a tricksy manner in his voice and look.
The plot may be hard to jump on board with and it skids off into a weird bio-pic wasteland of trying something new but it’s got style and Don Cheadle rocking the house with an expressive and enjoyable performance.