Can You Ever Forgive Me? (2019)

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Forgery has never looked so gently compelling but ‘Can You Ever Forgive Me?’ is out and about in New York to show how unexpectedly sweet and deliciously sour it can all be.

Lee Israel (Melissa McCarthy) has a NY Times Best Seller book under her belt but has fallen under writers block and other self-made hard times. Whilst trying to compile notes for a new novel she unearths letters sent by the person she wants to write about. This sets in motion a plan to spin money by forging letters from other writers and along with Jack Hock (Richard E. Grant), Israel gets into her groove once more.

The film is lovingly layered with spot on wit, never over-laden to breaking point, the screenplay has a fair few amounts of razor sharp insults and sniping but it’s still a film that is generally a pleasant watch, like the director has managed to settle her audience in to this calming, jazzy ambience of comedy and drama. It’s like you’re watching this talented yet hard to reach writer figure of Israel, not from a cinema but on a plush armchair with atmospheric lighting setting the mood in comfortable surroundings.

It is also true that it can feel like a biographical picture more like a lazy Sunday afternoon watch because it never changes gears and it takes a bit of time to warm to the aggressive nature of Lee as a person but once she begins her typewriter hustling and forms a bond with flamboyant Jack, the movie becomes a much more investing product.

The film does well in making Lee Israel and her fraudulent letters a rather interesting matter, it’s a story truly deserving of the spotlight and they don’t squander it. It’s made me want to find out more about her and I’m sure it’ll have the same impact on others. ‘Can You Ever Forgive Me?’ is a great commentary on the eagerness to lap up literary content and buy into the world of the writer, any unheard of material is ripe for the picking without any due thought which makes her actions all the more understandable. The writers and director never paint Lee out to be some unholy crook but more a mildly unpleasant, anxiety-ridden alcoholic with a mouth on her…so like all writers!

Melissa McCarthy brings amazing presence to the film and silences any critics to her more usual shouty comedy flicks, which was me included. Like in ‘St. Vincent’, McCarthy shines by proving great dramatic chops that she clearly has within her. Richard E. Grant is purely enigmatic with a cheeky smile helping him bring Jack to spritely life. The two actors bounce off each other so well, the characters they play clearly sharing like-minded souls in bittersweet humour and sadness. The pair of performers play the relationship beautifully with a radiant spark flaring up between them every time they’re on screen together.

It’s an intriguing film and very close to being a joyful watch. The witticisms and emotional current that carry the film are wonderfully balanced.

7/10

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To All the Boys I’ve Loved Before (2018)

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Adapted from a bestselling novel; where it spent 40 weeks in the NY Times Best Seller list, comes this Netflix feature which is an adorable romance but looking past the teen loves and dramas, there is unsurprising predictability to be found.

16 year old Lara Jean (Lana Condor) daydreams about sweeping romance from the books she reads but has never had a boyfriend. Tucked away in Lara Jean’s bedroom is a box hiding letters she’s addressed to past crushes and unluckily for her they get sent out. Peter (Noah Centineo) is one of those recipients, he and L-J begin a false relationship to both make certain people jealous.

To start with, this film feels like a slight slog to get through. The acting is unbelievable and some of the dialogue feels extremely off. On top of this is the excruciating foreseeable nature of the plot, as soon as Lara Jean and Peter sign their makeshift contract it’s blindingly obvious where the narrative will end up. Fortunately, even though the story never goes somewhere unexpected, I found myself warming up to the film and characters.

Some further annoyances almost make the film something you’d regret, such as a scene in a high school bathroom that has such terrible audio laid over making the conversation sound like something from a Bad Lip Reading video on YouTube. Lara Jean’s sister Kitty is highly precocious and somewhat annoying in places but far less soul-crushing than Charles Wallace from ‘A Wrinkle in Time’. I only bring that brat up because Kitty has the same smarter sibling characteristics of CW and this streaming movie refuses to reference Lara Jean without saying the names every time…a personal gripe I know but it’s just vexing.

Other than the major issue of it being a romance that doesn’t really try to subvert expectations, the film isn’t a weak one. The central pair are a charming delight on screen and there’s some kind of comforting vibe to felt throughout this movie. The film isn’t solely about her quest to find someone but Peter becomes just as important in the way he shakes off jock imagery as he plays pretend dating with L-J.

‘To All the Boys I’ve Loved Before’ isn’t going to break the mould and I’ll likely forget I ever saw it by the end of 2018 but for the time being it’s a satisfying, if just alright teeny-bop romantic flick.

6/10