Steve McQueen is certainly an influential figure, his tiny collection of works being as powerful as a director with numerous features. This 2018 release sees the British director slightly move away from drama as he presents audiences with a smart heist thriller.
After Harry Rawlins (Liam Neeson) and his crew end up dead following an attempt to steal millions of dollars, their widows are left facing a dangerous choice. Harry’s wife Veronica (Viola Davis) is threatened by the man whose money was lost and she has a month to pay that cash back. Instead of sitting by, she stands up for the count and receives help from two of the other women, as they plan their own score.
With McQueen and novelist Gillian Flynn behind the screenplay you’d be correct in expecting a slick thriller with turns and the pair of them do incorporate some riveting unexpected curves into the narrative. That is not the be all and end all though, they’re not going down the easier route of just creating a twisty thriller for the sake of it, it’s 100% clear that Flynn and McQueen are interested in the characters and their motivations.
On reflection, there are times when you wonder why the three other ladies are sticking with Veronica but this is just a mere fraction of a niggle that is swiftly lost once the plan takes shape. As the latter stages of the film arrive and their heist takes flight, then you’re in for one hell of a ride; a brilliant burst of tense thriller perfection that latches on and won’t let go.
The characters are what keep the tension ticking, even if Veronica feels like the most fleshed out. The other three widows and a driver are less focused on but they provide a good dose of feminine smarts, will, vulnerability and engrossing power to keep us connected to their predicaments. It could be that I was expecting more, but the story amongst the character work, isn’t as magnetic as I’d hoped but there is plenty of style to make for a worthy movie.
Veronica Rawlins is so damn captivating and that’s down in most part to the dominating talents of Viola Davis. She is formidable as this broken yet unbreakable female force. Elizabeth Debicki and Michelle Rodriguez are strong too but aspects of their characters feel off, down to the development in the plot not their acting. There a couple of brilliantly heated scenes between the reliable Colin Farrell and the great Robert Duvall. Daniel Kaluuya is incredible as a wholly mean, unpredictable presence, he sells this vicious streak with masterful skill, making Jatemme Manning someone to truly fear.
‘Widows’ is perhaps not as tight knit all the way through as it could have been but the final parts are filled with adrenaline and dynamic tension. Women are in it together and they definitely have the balls to pull off a watchable thriller.