Mission: Impossible – Fallout (2018)

tom-cruise-releases-teaser-spot-and-poster-for-the-mission-impossible-fallout-social

He’s scaled the world’s tallest building in Dubai, climbed a rock face in Utah and broken his ankle during the shoot of the latest instalment for the ever fun and always stunt heavy Mission: Impossible franchise, Tom Cruise is an action messiah and ‘Fallout‘ further proves this statement of mine.

Ethan Hunt (Cruise) receives a message that a terrorist ring have their hands on 3 plutonium cores which they intend to use in creating maximum destruction for ‘peace’. He teams up with Benji (Simon Pegg) and Luther (Ving Rhames), but after an unexpected dilemma, Hunt is shadowed by CIA operative Walker (Henry Cavill) as their mission takes them to Paris and an old adversary.

Christopher McQuarrie is back in the directors chair and with his fantastically engrossing screenplay, he ensures to keep quality control on a narrative that essentially boils down to a seek and locate motivated globe-trot and a heart palpitating countdown themed finale. The M:I series has always been a fun one and this is no exception but they’ve definitely been getting better and more finely written.

Obviously the set-pieces are as amazingly coordinated as ever, each and every insane stunt moment making you take a breath and fear you won’t regain it by the end of the sequence. This sixth outing rockets from a HALO jump over France to a phenomenal helicopter chase, with everything from motorbike collisions and a London run in between. This film boasts such an impressive cinematic run of stunts with the optimum motivation to boost adrenaline into you, I certainly sat back, mouth agape loving it all. Side note: stunt teams and performers truly deserve more recognition and the Academy should step up and honour films that put great care and work into creating high-octane thrills like this movie offers.

This isn’t to say the stunts overshadow the film. There’s a meaty story that ticks away with great waves of tension, the usual shadiness of who can be trusted is utilised nicely and along rests of humour there’s some welcome light shed on Hunt and his back story with Michelle Monaghan’s Julia, who gets some crucial screen-time, showcasing her skills as an actor and also being a vital character that makes Ethan more than an unbreakable force but an emotional human too.

The ever reliable, action movie star credentials of Cruise are back in full swing and he’s supported by a returning cast. The light-hearted quips from Pegg’s gadget savvy character are always well delivered but he’s on the field more and becomes caught up amongst the threats and action. Rhames is as great as usual and shows a touch of real softness when speaking about his longtime buddy Hunt. It’s great to see Rebecca Ferguson back too, she makes Ilsa a complicated and strong individual to stand toe to toe with Cruise. They’re joined by franchise newbie Cavill who sports ‘that’ moustache and pumps his arms as ferociously as his character is, also fresh to the scene is Vanessa Kirby who is a riveting complex character, that could have had more screen time but eats up the screen with a femme fatale like edge.

What this movie is to watch is nothing short of spectacular. You thought it’d be impossible to top the last one but again the crew and stars have succeeded in their mission to provide us with fast paced excitement and tension like no other. One of the best action films I’ve seen. You can choose to accept that or not, it’s a fact.

9/10

Advertisements

Annihilation (2018)

annihilation-poster

Arriving on Netflix, is this bold and engagingly strange science fiction from Alex Garland. It’s arguably one of the finer films of this genre I’ve ever seen, questioning the audience with its intelligent themes of rationality and life.

After a figure from Lena’s (Natalie Portman) life comes back into the fold, she ends up at a government facility close to a glistening barrier known as The Shimmer which is expanding. Dr Ventress (Jennifer Jason Leigh) leads Lena and three others into this weird anomaly to try and stop it reaching civilisation and to hopefully uncover exactly what it is.

Alex Garland has been writing screenplays since 2002 and after his blistering debut directorial work on 2015’s ‘Ex Machina’, this was a movie I was eagerly awaiting. Garland has managed to capture the traumas and oddities of a strange new world from within Jeff VanderMeer’s novel of the same name. As this film goes along, there’s a fantastic sense of slow-burning tension that doesn’t always need to pay off with big action because he directs in such a way that chills to the core and makes this environment feel visceral.

A sci-fi with plenty of intrigue and interesting ideas aren’t always common to come by, so gladly this is an exception, in the same vein as the smartly concocted ‘Arrival’. It’s a film that I think deserves to go down as a classic in its genre, as it grips like a row of razor sharp teeth sinking into you, as you get hooked onto the creepy air of unease and confusion that roams this altering landscape.

The Shimmer itself is a world of melding possibilities leading to some of the most beautiful shots I’ve seen this year, ones that I utterly wished I could have seen on the big screen, but again Paramount offloaded one of theirs to be released by streaming juggernaut Netflix. Rob Hardy’s cinematography is sublime and truly keeps you on the edge of your seat as we trek through somewhere, that is at once stunning and dripping with mystery.

There are some unnerving moments within ‘Annihilation’ which I won’t divulge any further as to avoid spoilers, but I will say, what lurks in The Shimmer certainly builds a scary level to the back and forth narrative with Lena. Also, the final act is absolutely incredible. My mouth was agape for the duration and my skin was layered with goosebumps, in a lighthouse set sequence I can only describe as hauntingly glorious and terrifying in a way that seems to burrow into your very being.

Natalie Portman is a strong presence from start to finish, her character background aptly aids her through this lush yet dangerous world of lost memories and trepidation. Portman easily acts that sense of forceful wanting and knowledgeable progression. She also carries an empathetic sadness and regret throughout, which makes her an interesting character to follow. The entire team are a formidable squad of females with enough drip fed information about their lives, to give us understanding of their choices and motivations. Jennifer Jason Leigh, Tessa Thompson, Tuva Novotny and Gina Rodriguez all neatly display the fraying of their minds as they descend further into The Shimmer. The latter gets a crackling turn to shine in a scene that sees her burst with an intensity, adding to the ferociousness of what happens.

‘Annihilation’ is a masterful movie and one I will definitely be watching again. It carries a quiet menace as the unknown is explored and identity is questioned more and more.

8.5/10