Celebrities getting interviewed by men in suits is a huge part of both American and British TV programming; so it’s only fitting that this comedy shuffles the pack and puts a woman in the spotlight but does ‘Late Night’ drop the mic or drop the ball?
Katherine Newbury (Emma Thompson) has been leader of the late night pack for over 20 years and has scooped up numerous Emmy’s, but with online buzz non-existent and a threat of her removal, she realises things need to be shaken up. Molly Patel (Mindy Kaling) is hired who helps bring some new life into the show but is it too late?
The spoofing of late night TV is often comical throughout this film and Kaling, who writes the screenplay, brings an interesting and timely response to the white male system presently in place. This ruling of the roost where not a single woman hosts a late night gig is upturned by the wonderfully believable figure of Newbury; a character brimming with wit, teeming with intellect and somewhat Cruella like in her prim and offish stature.
‘Late Night’ can often be a script which goes all in on the topics of diversity, inclusion and the keeping-on-trend trend. The near constant commentary surrounding the #metoo atmosphere is understandable but Kaling runs away with it and the comedy suffers, leaving a solid brick wall of heavy handed Times Up building. It’s absolutely a necessary action to give women and people of colour more work but this plot does play that card at every turn, feeling more like a look-at-us-we’re-being-inclusive feature than a clever comedy which happens to revolve around diversity.
Some later scenes where we see the British presenter try and tackle more viral-inducing moments are dumb but brilliantly funny and on point with the likes of what we see entertaining millions online nowadays. The writing room scenes are a fairly hilarious collection of ideas, throwing in some lazy personalities spiced up by the arrival of Molly who helps but winds up by looking in from the outside, but I’d be lying if I said I enjoyed the film as a whole. ’30 Rock’ is a product lampooning the stuffy, masculine writers environment with a much better zap of hilarity.
Kaling brings a kindly and earnest quality to the chemical plant/factory persona and shares wonderful chemistry with Emma Thompson; who is the perfect straight-laced, well heeled host with a lack of compassion and a need/hope to change. She is an utterly convincing presence who you could easily picture as a real talk show presenter, the more profound and orderly chats mixed with sillier segments would rival the fame-hungry ideals of Fallon and Corden.
‘Late Night’ is a so-so film with a gentle layer of humour and specific SNL-esque humour broadened with the current empowering era, it has cliches and slathers on ideas too thickly but thanks to Thompson and her talent, the film does spark.