There’s no doubt that the moon landings of 1969 were a monumental achievement, but is Damien Chazelle’s latest feature as monumental an experience?
‘First Man’ follows Neil Armstrong (Ryan Gosling) as he takes up a job for the Gemini programs, as NASA and America hope to reach the stars and send a man to the moon. As the Soviets claim their own space race victories, Armstrong becomes determined to succeed even if that means losing time with his family and wife Janet (Claire Foy).
Chazelle’s directorial career is extraordinarily good, this is only his fourth movie and in less than ten years. Each one has been critically acclaimed and adored by audiences so there’d be no surprise if the 33 year old would feel pressure to follow suit with this Armstrong biopic. The film may not be his most stylistic one but as you’d expect the use of music; scored by Justin Hurwitz, is exceptional. Chazelle truly knows how to utilise sound, whether Hurwitz’s score is twinkling like the stars or cutting out completely to really create dramatic tension, it’s a bold demonstration of sound mixing that adds to the formidable power of space.
Another positive about the film is that it isn’t afraid to highlight the costs and questions these Gemini and Apollo missions cause. People waving placards or queries about the price of human life to achieve this daring quest become little drop points amongst the course of Neil Armstrong’s pursuits. This is a blessed relief because the actual focus on the astronaut is less than engaging, a large percentage of ‘First Man’ feels like a paint by numbers drag which does little to excite.
This is a biographical look not at the exploration of space or the moon landing itself but more about the man, Armstrong himself. It never really rockets to anything special and dare I use the B word; it often feels a little bit boring. It is as if the film cannot really connect to Neil, even if the camera feels forever by his side. There are some absolutely amazing shots in this film but the story drags the whole thing back down to Earth.
Gosling is a charismatic actor and he manages to ensure his portrayal of the first man on the moon is reflective and he shows off this quiet, laser-focused attitude but a lot of the time it makes the film less than interesting to follow because he’s so drained of emotion. Claire Foy is the stand-out as the woman behind the man, she displays a great balance of love and sadness to the man who wants to step on the lunar surface.
‘First Man’ has a lot of impressive visual standouts, so when we’re being thrust into the capsules or training pods with the astronauts the film is exquisite, it’s let down however by the grounded home-life and disengaged approach to Neil Armstrong.