4 years after the sublime, (and one of my favourite movies) ‘The Grand Budapest Hotel’, director Wes Anderson returns with a wonderfully told stop-motion tale, centred around one boy and many dogs.
In a dystopian Japan, where all pooches have been exiled to an island away from Megasaki City, because of an outbreak of dog flu, is where we follow runaway boy and makeshift pilot Atari (Koyu Rankin). He crash lands on the Isle of Dogs, hoping to find his lost dog Spots (Liev Schreiber) and is helped by a pack of five, though one named Chief (Bryan Cranston) really doesn’t want to aid the quest.
Coming back to the amazing world of stop-motion, after his 2009 foray with ‘Fantastic Mr. Fox’ is the man who hands such detail and a clear stamp of identity to his work. Wes Anderson utilises the craftsmanship of this art form to great effect, in a way that never distracts from the wit and gorgeousness of the storytelling. Split up into numbered parts, this movie owes a lot to rich Japanese culture and director of ‘Seven Samurai’. The dystopian world and the adventure story of finding a dog is well realised and easy to follow for all.
There is so much incredible detail, even in the backgrounds, where so many must have tirelessly put great time and effort in ensuring all parts of the frame are filled with loving attention. Trash Island is literally littered with stunning scenery of coloured bottles, rubbish, an abandoned athletics centre and amusement park all gift the visuals, a grimy yet playful stroke. The dogs themselves shuffle along and move with the lovely manoeuvring as we see the stop-motion in effect. This feature film is further proof of my love for stop-motion as a beautiful means of telling stories, deserving of acclaim creating these textual landscapes and characters.
It can’t be a film solely judged on the means of how the visuals are presented though, story is of course a massive factor and though it’s fun, interesting in many points and screams Anderson, it isn’t an out and out success for me. There isn’t the same charm resonating in this, that can be found in ‘Moonrise Kingdom’ or ‘The Grand Budapest Hotel’. The grounded, dirty look thanks to the Island is somewhat cold and therefore leaves the story feeling vaguely dark and cold, I’d expect it to be uninviting for young children hoping to watch something parading cutesy dogs but I’d be lying if I said this film wasn’t mostly delightful to watch.
I wouldn’t be as harsh to say it was boring, but I did become disinterested in the middle of the narrative, Part 3 – The Rendezvous felt like a weak point and was a blip in the movie where I slightly switched off; thinking the plot was dragging but aside from that, this is a fully realised, smart and witty story thanks to the quirky genius of Anderson and fellow story gurus; Roman Coppola, Jason Schwartzman and Kunichi Nomura.
Cranston is ruff, sorry roughly irritable and brilliant as the naysayer and distant mangy mutt, hoping to eat scraps and have nothing to do with the little boy pilot. Jeff Goldblum wonderfully spiels off rumours his dog persona of Duke has heard. Scarlett Johansson uses her distinctive voice to suitably play enigmatic and mysterious show-dog Nutmeg. Edward Norton, in fact gets a lot more say than the Chief of the pack and in his usual Norton way, delivers an Anderson script with perfect execution. Courtney B. Vance is a solid casting choice with a soothing narration that guides us in places.
This comedy stop-motion animation is no bad dog and sits close to being a perfect pup. I wasn’t fully engrossed constantly but my interest peaked enough to label this worthy pedigree chum; a movie with a talented cast and enjoyable quirkiness.