‘Searching’ is the first big Hollywood thriller to be led by an Asian actor; the wonderful John Cho and in Aneesh Chaganty’s debut full-length feature we are presented with a technology based run of hints and danger with near-perfect execution.
After Margot Kim (Michelle La) doesn’t return home after a supposed study session round her friends, her dad David (Cho) begins to worry as this isn’t how she normally behaves. As her days gone missing go by, he learns he doesn’t know as much as he thought about his child and with the help of officers from the California South Bay police force he hopes to understand what’s happened to Margot.
It wasn’t too long ago that a similar-but-not-sequel of ‘Unfriended’ was out and showed us the dark side of the web. This thriller, again provides audiences with the same stylistic methods of the 2014/18 horrors but puts across its unfolding dark side through the drastic clue quest taken by David and the possible warning signals of people around Margot. ‘Searching’ also fares a lot better than the computer-screen heavy visuals of the ‘Unfriended’ movies by better realising its concept and creating an engaging watch from start to almost finish.
The ending is slightly underwhelming, just in the sense I found it to unravel what was an excellently taut story with a fairly ridiculous and sentimental conclusion. The plot does also rely on bordering on silly camera placements and websites to keep the online, onscreen narrative going along. Aside from this, the film is a riveting thriller boosted by Torin Borrowdale’s work, his score has hints of dark tension which add to the slow-burning stakes and with the eventual revelations this adds up to a dynamic, chilling movie.
What do you really know about your children? This suspenseful success at the box office proves that it’s not always that much. Truths get uncovered, mysteries are juicily served up and a visual representation of a detective-esque Crazy Board on a desktop scattered with files speaks volumes for the strained search a father goes on to hopefully find his girl. This film works well because it has you guessing along, as if playing a cinematic game of Cluedo. That sense of intrigue is like catnip for many people and seeing this story play out via live news broadcasts, mobile chats and social media stalking has us invested in a gripping turn of events.
John Cho is great in this movie, whether up for judgement in pixelated zoom or seen through countless FaceTime conversations he really does sell us the panicked, doting father with flaws that help round him out as an interesting character who forgets what is important to both him and his daughter Margot.
There may have been a smidge of expected moments come the wrapping up of this movie but by and large, ‘Searching’ is an expertly organised thriller that may utilise a gimmicky premise but plays on an effective story to quickly overshadow that feeling.