The Greatest Showman (2017)

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Pulling out all the stops, this movie tries shooting for the ol’ razzle dazzle and though there is a definite amount of flair and showbiz style through transitions and musical numbers, it all feels empty and try hard. The story of the man himself; Mr. P.T Barnum is glossed over to make way for a post Christmas family feature that requires no smarts.

As a child, Phineas Barnum was less well off but a dreamer and he finally got the girl he’d loved. Now residing in New York with their two daughters, Barnum (Hugh Jackman) and Charity (Michelle Williams) seem happier than ever, but Barnum wants more and he eventually creates a ‘circus’ of sideshows and freaks to sell tickets and give his family all they could ever wish.

Riding on the success of Academy darling and theatrical luvvie of late 2016/early 2017 ‘La La Land’, this musical drama employs the writing talents of Pasek and Paul to conjure up a bunch of songs. They certainly come under the ear-worm label as I’m still annoyingly humming them as I write this. Saying that, they’re nowhere near as close as subtle or stylishly cool as the songs in the Gosling/Stone led runaway hit. To be honest, there came a time when a character began to sing that I audibly groaned because they just appear almost consistently. I know it’s a musical but they are irritating hokey songs that strive for the stars but end up somewhere amongst bland superficial lyrics of being special – whoever you are – yeah that old chestnut.

Certain elements in this just stood out like cheap distractions at a local funfair. The alarming dubbing of an older man speaking for the clunky walking dwarf. The ‘Siamese Act’ who were clearly two performers standing side by side and the ‘Bearded Lady’ who’s facial fuzz looked like glued on hair a couple of times. I know Barnum revelled in fooling audiences and providing fake attractions but this film doesn’t even show us this as it makes him seem like an idol of blossoming variety entertainment.

Hugh Jackman is a charismatic actor and he certainly helps this film from totally falling flat but I feel he’s too much of a nice guy to play the role of someone who hoaxed the public. Michelle Williams is a glamorous wife and mother and gets to showcase some singing prowess and dancing ability but she has little to do, other than stand by and watch Jackman parade as the enigmatic showman he is. Rebecca Ferguson plays opera singer Jenny Lind but doesn’t even wow because she’s there as a cheap sideline narrative and her song is sung by someone else, plus she’s meant to be a pro opera performer but her song sounds like the typical X Factor winners track. Zendaya carries a believable amount of emotion in her role as acrobat and racially shunned figure for Zac Efron to fall in love with. For me, I found her to be the most engaging and interesting character to follow, with Efron close behind.

All the lights and stage magic never lit a spark in me and it just became a tiresome boringly told story, filled by ever irritating songs. It’s a mess of a musical but one that has just enough charm in places to keep the circus tent from falling down.

4.5/10

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