Cargo (2018)

cargo-movie-poster

In the dusty outback of Australia, ‘Sherlock’ star Martin Freeman tries desperately to survive, in what could only be described as bleak conditions. Adapted from a short film idea by the same creators, ‘Cargo’ does feel like it a little weighed down by a full length run-time but it doesn’t stop it being a gritty portrayal of fighting against the odds.

A virus has swept over the world and anyone infected has just 48 hours of human life left, before they turn into flesh seeking zombies. Andy (Martin Freeman) treks the countryside Down Under carrying his baby girl Rosie, trying to find a hospital to combat the effects he carries with him.

What stands out strongest within this post apocalyptic plot, is the character studying. Yolande Ramke writes a powerfully subtle zombie flick by focusing on the behaviours of its characters, also directing with Ben Howling they ensure the movie doesn’t fill us with easy-to-do blood splattered gore or adrenaline pumped tension. They work nicely together in really making you feel for Andy and understand not just him but the people he interacts with from start to finish. Good zombie films are always showing us the true monsters are found in us when people do the nastiest things to stay alive and this feature is no exception.

I must admit that there are times when a little shot more of tension would have been welcome. The 1 hour 40ish length does have a few points where it feels stretched out and having a couple of scenes whittled down would have kept the dramatic punch alive; as if mirroring the narrow time frame Andy has to survive. Also, aside from the clever and well written/acted character work, this isn’t exactly a film that demolishes the genre, if you’ve seen one or two then you’ve seen this one as well.

Aboriginal life gets a spotlight and there’s a good moment when a trapped Aborigine comments on the sickness but relays it back to how their people, their way of living is all but destroyed by white people, Australia has indeed left this tribe of rich culture to struggle in the background. It’s important that this film highlights them and moments including an Aborigine girl are soft, mystical ones that give the film an original spark.

‘Cargo’ may be a film that would be more tense as a thirty minute outing but there’s no denying that Freeman, newcomer Simone Landers and the writing/directing masters have provided Netflix and us a bold social commentary laced with the gnash of zombie thrills.

7/10

Advertisements

Train to Busan (2016)

heropage-980x560_62

One of the most exhilarating films I’ve ever seen, bloody and yet beautiful, this is a zombie film with thrills and skills that I wish I’d got to see on the big screen but damn am I happy I’ve seen it anyway…finally!

As a mysterious virus breaks out, workaholic and not so parental father Seok-woo (Gong Yoo) concedes to his daughters birthday wish to go to Busan to see her mother. A host of other passengers board at Seoul but unfortunately an infected woman also joins them leaving their train journey to become a fight for survival.

Honestly, this is probably the best zombie movie I’ve seen in a long time, the rage like virus shoots up the film with a crazed adrenaline which is hugely entertaining to watch but more than this and thus why the film is so good, is that there’s a heartfelt emotion and believable set of characters along for the ride too. Zombie killing and frantic running aside, this is something that grips you because of the relationships between the passengers, how they act and the choices they make create a truly thrilling and emotive story.

Yeon Sang-ho directs this with such care and attention, there’s a skill to making this chaotic zombie outbreak feel less than chaos. It has an artistry and skilled choreographed quality that ‘World War Z’ could only dream to achieve. There are numerous moments in this Park Joo-suk scripted delight that captures you and keeps you on the edge of your seat. It’s the rooted developing bond between father and daughter that is special and come the end of the movie leaves you really bound to the film almost teary eyed.

Jang Young-gyu’s music for the movie is a rip-roaring wonder, it’s a score that manages to excite and keep up great tension in places then simmer down for more nuanced moments of tenderness. The confined claustrophobia of setting a majority of this story on a train is shot really well, from shuttling tracking shots to scary overhead shots crammed with the white-eyed undead. Pretty much everything in this film is masterfully set up and executed leaving the audience to watch a dramatically non-stop zombie genre outing that actually feels realistic.

Gong Yoo is a great presence as this obsessive funds manager who gets a well realised character arc that makes him a likable guy. Ma Dong-seok plays a hench father to be that gives the film some aspect of humour and plenty of bad-assery. Kim Su-an is the little daughter Soo-an who gets many a chance to shine and demonstrate wonderful acting skills, more impressive considering she was 10 at the time of acting. Kim Eui-sung gifts the film its human villain, he performs convincingly that you want to punch him in the face.

The characters and the story are top notch stuff, making this a zombie feature like nothing else before. I’d highly recommend this to everyone; it’s tense, engaging and remarkable.

8.5/10