The show must go on. After ups and downs that would sink even the sturdiest ship, this production has survived lead actor changes and a fired director to keep its head afloat and finally see release. It was worth the wait because this biopic docks with dynamic delight and is a blast of fun.
‘Bohemian Rhapsody’ chronicles the birth of the band Queen up to their Live Aid performance in 1985. It mostly follows the life of lead singer Freddie Mercury (Rami Malek), as he both deals with his sexuality and identity and the hopes that the group will achieve greatness for providing something different to the music landscape.
The story predominantly follows Freddie Mercury as his is the most captivating presence to observe. As a Queen affair, the other 3 members don’t play too much of a part, it’s mostly their music that does the talking and quickly this film sounds like a rock musical. Their incredible songs take over and though it would have been much better to let the film take some time in setting up their genesis, the sounds of their classic tunes can’t help but course through you and get your head nodding and your feet tapping.
This early rush of Mercury joining May and Taylor and before the audience knows it, the foursome are touring in America feels like a wasted opportunity for a gradual climb to their success but as the film progresses like the operatic vision in Freddie’s mind, it fills out with chords of fun brilliance and beats of more dramatic emotional moments. Though it plays fast and loose with a lot of facts, it’s a movie that gets better and better and when the credits roll you wish that it wasn’t over.
Bob Geldolf’s massive Live Aid concert bookends this film, the first scene is just a gorgeous snippet that tickles the senses to the arrival of a phenomenal band. It is the ending scene that plays out like a cinematic concert. The guitar riffs, drum smacks and Mercury’s vocals ring out and reverberate around the screen in the biggest and best possible way.
It isn’t solely their music that makes you go Radio Gaga, there could have been more to the privacy of Freddie and his band-mates but the brush strokes which paint us Freddie’s personal life are more included than you may expect. The LGBT scene of the period, his mannerisms and ultimately the disease which took his life at a cruelly young age aren’t flippantly tossed away, they were part of this icons magnificent character and the film ensures to include this side of him. The support of May, Taylor and John Deacon do come into play more as we see how supportive they are through thick and thin, without them Mercury would go on a full self-destructive crash.
Rami Malek as Freddie Mercury is inspired casting and though he felt unaware at first of Queen’s back catalogue, he quickly embodies the singer in such a way that there’s numerous times you think you are watching the real man in front of your very eyes. The movements of Malek are exceptional, he possesses an otherworldly electric grace that fires up the stage as Mercury did so well. These enigmatic and flamboyant touches are vibrantly sold by the actor. Lucy Boynton is a wonderful, sweet presence as Mary Austin, the woman behind Freddie. The actor can tell a thousand stories through her expressive eyes and the emotion she delivers shared with Malek are touching, you can really gauge their closeness despite everything. A semi-cameo from Mike Myers is amusing even just for his almost Shrek accent and ‘Wayne’s World’ reference.
This may definitely be a film that comes across like a self-congratulatory pat on the back to the band, with their hits zooming out of the speakers like a crazy stadium jukebox but it’s the most fun, energetic musical ride. At the end of the day, music is a universal language and Queen’s speaks volumes to how bold and visionary they were and will always be which the film very nearly reflects.
8/10